tag:blogger.com,1999:blog-5841832.post5644445628693223610..comments2024-01-29T00:32:58.074-05:00Comments on .: Today's Hotness: Johnny Foreigner, Junior JaguarAnonymoushttp://www.blogger.com/profile/12517366671775704505noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-5841832.post-82118034310279255862009-01-07T22:01:00.000-05:002009-01-07T22:01:00.000-05:00love the tracks! thankslove the tracks! thanksJ e f f r e y G e o f f r e yhttps://www.blogger.com/profile/11416934612199146931noreply@blogger.comtag:blogger.com,1999:blog-5841832.post-84606598193133706342009-01-07T20:55:00.000-05:002009-01-07T20:55:00.000-05:00Cool Junior Jaguar track. I like the little guitar...Cool Junior Jaguar track. I like the little guitar solo near the end. Writing a pop song in 7/4 or any other unusual meter without sounding "proggy" (for lack of a better word) is neat trick if you can pull it off -- Nick Drake's "River Man" is the best example I can think of right now. <BR/><BR/>On the other hand, I also love Radiohead's "Pyramid Song" because it's 4/4 but sounds a lot more complex, especially after those jazzy drums come in. <BR/><BR/>It cracks me up when a band puts a song's time signature in the title -- like Fridge's "Five Four Child Voice" or Broken Social Scene's "7/4 (Shoreline) -- as if they're trying so say "hey, check us out - we're not just all about 4/4!"Nickhttps://www.blogger.com/profile/06447803775116067029noreply@blogger.com