Showing posts with label Greg Davis. Show all posts
Showing posts with label Greg Davis. Show all posts

April 24, 2013

Today's Hotness: Los Campesinos, ISAN, Speedy Ortiz

Los Campesinos! -- It's A Good Night For A Fist Fight (Detail)

>> Cardiff-based indie pop heroes Los Campesinos delivered in a big way today on a surprise they've been teasing for a couple weeks. The news is the sextet is releasing a new live set titled It's A Good Night For A Fist Fight, and based on the preview track, a cracking version of "We Are Beautiful, We Are Doomed," it would seem the record is going to be a fireball. It's A Good Night For A Fist Fight was recorded live at Islington Assembly Hall in London on December 15th of last year (the collection takes its title from a lyric in the band's thrilling hand-clapper "By Your Hands"). According to this tumblr post, the London date was actually the band's second try at a live recording, an earlier attempt planned for a show in Seattle, WA in the US was scotched for reasons Los Campesinos doesn't elaborate on. The London show -- 21 songs across 90 minutes -- was played to a sold-out crowd of 800 fans; the performance was the final show to feature Ellen Campesinos, and it also featured an appearance by Aleks Campesinos, who left the band three years prior to concentrate on academics. It's A Good Night For A Fist Fight is available for pre-order now for five British pounds, and the files will be emailed to purchasers May 4; the band is also selling a poster print and various cool t-shirts that can be bundled with the album, so make sure to look over all of the offerings at its Big Cartel yert. Pre-orders are rewarded with an immediate download of the final song of the main set, "Baby I Got The Death Rattle." In what is perhaps even more exciting news, the band says it will begin recording its fifth record in June; its prior two records, Romance Is Boring and Hello Sadness, each landed prominent spots on Clicky Clicky year-end lists. Pre-order It's A Good Night For A Fist Fight right here, and stream the slamming version of "We Are Beautiful, We Are Doomed" via the Soundcloud embed below -- and scream along with the crowd when the line "THERE IS NO FUCKING FUTURE" rolls around.



>> We've found ourselves revisiting recently a lot of records that were released around the time we first began writing about music in earnest about 11 years ago. We were very excited at the time about the rising tide of IDM and ambient/minimalist electronic producers and electropop acts, many of which we first discovered by watershed compilations from Berlin-based label Morr Music such as the brilliant Slowdive tribute set Blue Skied An' Clear. A relatively veteran act of the then burgeoning electropop scene was the UK duo ISAN, which was founded in 1996 and is comprised of members Antony Ryan and Robin Saville. Morr Music has just announced it will re-release the pair's 1998 full-length debut Beautronics as a CD, and -- for the very first time -- vinyl. The vinyl issue will is a very, very limited gatefold double LP; it was previously made available on Record Store Day earlier this month, and at the time it drafted its press release Morr only had 30 copies left in its own warehouse. Samples of the entire 19-song album can be streamed via the player at this page, and a complete stream of the set's penultimate track "Xylomat" can be streamed via the Soundcloud embed below. "Xylomat" is a spare, echoing confection with subtle melodies whose click-pop sound was pretty much a template for quality ambient electronic and IDM music of the five years following its release. According to ISAN's web site, the song was one of four previously unreleased tracks added to Beautronics for this release. The duo, of course, continues to keep busy, and it recently composed music for a film soundtrack and last month released an EP of analog cassette loops titled Descette on a one-sided 12" via SecretFurryHole. Pre-order Beautronics from Morr via the ANOST store right here. Highly recommended.



>> Hotly tipped indie rock foursome Speedy Ortiz announced Tuesday that its pending debut full-length Major Arcana, which we first mentioned here a month ago, will be released by D.C.-based indie stalwart Carpark Records. While Clicky Clicky still mentally associates Carpark with the more experimental releases of yesteryear from acts such as Greg Davis and Ecstatic Sunshine, the label has been hitting hard more recently with the aggressive and guitar-centered sounds of Popstrangers and Cloud Nothings. In that latter context, of course, Speedy Ortiz is an obvious choice for the label, not to mention a feather in its proverbial cap. Carpark will issue Major Arcana, a 10-song collection, July 9. Next week the Northampton, MA-based quartet release the 7" single "Ka-Prow" b/w "Hexxy" via Inflatable Records, pre-orders for which are now being taken right here. The single is available in a limited edition of 500, with 40% of the vinyl coming in some combination of "piss yellow" and blue. Speedy Ortiz is in the middle of a stretch of tour dates that has them on the road through Sunday, and its live commitments going forward includes not only a stop at our alma mater's own WestCo Cafe in Middletown, CT May 8, but also a Boston show at Great Scott May 15. Stream the brawling gem "Ka-Prow" via the Soundcloud embed below.

July 16, 2009

Rock Over Boston: Megafaun, Future Of The Left

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[PHOTO CREDIT: Michael Piantigini, used with permission] The lead track from Gather, Form and Fly (Hometapes), the sophomore album to be released next Tuesday by former Bon Iver partners Megafaun (Bon Iver + Megafaun = DeYarmond Edison) is "The Fade," a perfect three-part harmony summer pop song in the CSN tradition, but a closer reading of the lyric, and of Megafaun, reveals so much more.

The North Carolina-based trio's starting point is indeed a very traditional one: Southern roots and Appalachia –- banjos, acoustic guitars, fiddles, and gorgeous three-part harmonies (did I mention the harmonies?), but they sometimes have a tendency to take all that and run it through beat-up tape machines or samplers, or put a layer of noise over it, or let a song disintegrate entirely into a five-minute drone. Just to warp it a bit and make it all entirely modern. Megafaun's last couple of trips through town found them sharing a bill at the Middle East with the minimalist Arnold Dreyblatt and before that at the the Lily Pad with electronic musician Greg Davis, so that should give you an idea of the breadth of their influences.

So, yeah, they do sometimes have a tendency to set up jaunty sing-along melodies like the one in the new album’s "Darkest Hour," only to annihilate it utterly not only with its dark lyric, but with buzzing loops of rain, chimes, noise, crude electronic samples of the melody. But gentle meditations like "Worried Mind," demonstrate that Megafaun doesn’t overdo it.

The threesome's first album, Bury the Square, had all of these elements, too (and is recommended also), but Gather, Form and Fly is an ambitious expansion and advancement. There are a couple of moments that don’t entirely work for me, like the Caribbean drums on "Columns," but with Megafaun, it feels like it's all part of the process.

Explaining their sound, though, almost seems to undermine a description of their spirit. Their live shows, including this past Sunday's stop on their tour with Bowerbirds, feel like a celebration or an affirmation of music at its best: the live music show as congregation. They can work a crowd -– getting us involved in singing along, or handing out percussion, or just so genuinely enjoying what they do. Megafaun has been on my must-see list since I stumbled across them at SXSW a couple of years ago -– add them to yours.

And while you are adding bands to see to your lists, here’s an entirely different one to add. Make sure you head to TT’s this Friday night to see ex-Mclusky-ers Future of the Left, who are supporting their new one Travels With Myself And Another [Mclusky's "Light Sabre Cock Sucking Blues" ranks very, very high on Clicky Clicky Music Blog's patent-pending Spicoli/Sneaker Rockness Axis. -- Ed.]. I confess to not really getting it when I heard their first album, Curses!, but seeing them live did the trick. This is truly the great live rock where it has that hint of danger –- it feels like anything could happen. Be there. -– Michael Piantigini

Megafaun: Internerds | MySpace | YouTube | Flickr
Future Of The Left: Internerds | MySpace | YouTube | Flickr