Showing posts with label Kitchens Of Distinction. Show all posts
Showing posts with label Kitchens Of Distinction. Show all posts

July 18, 2010

Today's Hotness: The Vaselines, The Hush Now, The Answering Machine

thevaselines
>> Chances are if you are of a certain age, say, mid-30s or younger, you know The Vaselines because they were covered notably by alt-rock tent-raisers Nirvana. As the Glaswegian indie pop legends were originally together for fewer than four years during its original voyage and issued only two EPs and a full length (and those four years were more than 20 years ago), it's understandable that many don't actually know the genuine article. But as with many by-gone acts, the idea of playing together again became too big to ignore for the duo (later a quartet). After reforming and performing a small number of shows over the last three years, The Vaselines have recorded and will release a long-awaited second full-length, Sex With An X. Sub Pop will do the honors and the set streets Sept. 14. We were minding our own business late last week listening to WMBR and we were struck by a perky and undeniable pop number that turned out to be The Vaselines' new gem "I Hate The '80s." The contrarian in us loves the fact that the band refuses to romanticize the '80s ("you want the truth, well this is it... the '80s were shit."). While we wouldn't agree that the decade was shit as The Vaselines assert, we do loathe contemporary acts who weren't alive in the decade in question affecting what they perceive to be an '80s sound and thinking that such window-dressing excuses said acts from writing good songs. But we digress. Check out the stream below.

The Vaselines - I Hate The 80's

>> We've got your first taste of the forthcoming Shiver Me Starships EP from Boston dream-pop upstarts The Hush Now. The current iteration of the quintet has established itself as the most formidable yet fielded by founding member Noel Kelly. And on the new EP, recorded throughout June and July in a suburban Boston studio, The Hush Now articulates a denser guitar attack and increasingly accessible pop hooks. "Big Awesome" in particular pulses behind enticing curtains of melodic guitar (do we need to bring up the Kitchens Of Distinction comparisons again?) and then memorably transitions into a huge bridge at the end of the third minute. But "The Other Ones," is being singled out for promo purposes and it is easy to hear why: alternating scritchy and then orchestral guitars, roller rink keys, and a bouncy and upbeat rhythm. We think we've already seen this one live, and as the band's confidence has grown, its ability to imagine and then convey grand musical gestures has grown with it. The soaring conclusion of "The Other Ones" is ample evidence. Boston-area music fans can see The Hush Now at an RSL Blog-curated show at Great Scott Boston Aug. 2. Shiver Me Starships is slated for release in late summer.

The Hush Now's "The Other Ones"

>> According to a post on the band's revamped web site, The Answering Machine's hotly anticipated sophomre set is completed and titled Lifeline; it is tentatively schedule for worldwide release in January. The Manchester, England-based indie pop luminaries recorded the set themselves with fronter Martin Colclough in the produder's chair. The band reports songs on the new record include a title track, "Anything Anything," "My Little Navy," "Hospital Lungs" and another titled "3 Miles;" another new track, "Winter Without You," is apparently Sonic Youth influenced and may or may not have made the final cut, according to this interview given to Live4Ever. Writing "3 Miles" apparently touched off a streak of songwriting that helped the act complete the record. "there’s a noticable 'dance' element to the songs, in the vein of The Whitest Boy Alive," Colclough told Live4Ever. The Answering Machine's bracing debut Another City, Another Sorry remains widely available, including at Bandcamp here. We reviewed Another City, Another Sorry here; it was one of our favorite records of 2009.

March 7, 2010

That Was The Show That Was: The Hush Now | Great Scott | 6 March


[UPDATE: Now includes The Hush Now's South By Southwest schedule below. -- Ed.] Some serious woodshedding in recent months and key lineup changes have elevated Boston-based indie pop concern The Hush Now from surprisingly-good-under-the-circumstances to downright formidable. Where previously the band in the live setting somehow over-achieved while admittedly under-rehearsing (typically due to a revolving door of sidemen), Saturday night the band was confident and more than capable. In short, they killed it. If bandleader Noel Kelly and his cohort can recreate Saturday's spirited set six times over during that many planned gigs at South By Southwest, The Hush Now may finally garner the level of awareness -- even acclaim -- that it deserves.

Late in 2009 Mr. Kelly was faced with yet another vacancy in the lineup when the band's former bassist decamped to Philadelphia. Only months prior he had to replace a lead guitarist, and fortune certainly shined upon Kelly when he was able to bring affable, imaginative lead player Adam Quane aboard. But perhaps an even more important acquisition was bassist Pat MacDonald, whose playing Saturday night reminded us of how a good rhythm section should work. In indie rock it is de rigueur for bass players to do their own thing, which usually means players foregoing the rhythmic portion of their role in favor of filling out the low end and occasionally augmenting melody. However, Mr. MacDonald thrilled us by not only being completely fluent with the repertoire, but even more so by playing directly to (and at times smartly against) The Hush Now's brilliantly understated drummer Barry Marino. We literally hadn't seen this sort of ball-in-socket playing since the short-lived career of the incredible Joey Sweeney Rock Band in the mid-'90s, which featured Brian McShane on bass and Rob Viola on drums. With MacDonald and Marino playing as a unit, The Hush Now now has dazzling sonic dimension over and above (or more accurately, under and below) the Kitchens Of Distinction-style wall of guitars and synth and impassioned vocals. As nice as the band's two self-released full-lengths are, suddenly The Hush Now is a band that needs to be seen -- and heard -- live.

As the evening was intended to celebrate the release of Constellations, The Hush Now's sophomore set released locally in mid-2009, the performance Saturday drew largely from that collection. The single "Hoping And Waiting" was given a lively reading, as was the title track and the under-rated album cuts "Smokescreens" and "Thorns" (a download of which we are offering below). Later in the set The Hush Now pulled out "Traditions," a highlight of the band's debut self-titled set, and if memory serves the band closed with a new track ridiculously titled "Stu-stu-studio." Kelly tells us that the band intends to post video blogs from South By Southwest, and we are hoping that a fair amount of live footage makes the cut. We don't yet have the band's Austin appearances in hand, but we hope to post them soon. The Hush Now plans at least two stops on the way to Austin to promote Constellations, and those live dates are posted below.

The Hush Now -- "Thorns" -- Constellations
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[download the entire record here]

The Hush Now: Internerds | MySpace | YouTube | Flickr

03.12 -- Uncle Mike’s -- New York City, NY
03.14 -- The Khyber -- Philadelphia, PA
03.17 -- Black Ice (5:15PM) -- Austin, TX [SXSW]
03.18 -- TRF Outdoor Complex (12:00PM) -- Austin, TX [SXSW]
03.18 -- The Side Bar (4:00PM) -- Austin, TX [SXSW]
03.19 -- Pure (2:00PM) -- Austin, TX [SXSW]
03.20 -- Mugshots (5:00PM) -- Austin, TX [SXSW]
03.21 -- Cheapodiscs (In-store, 4:00PM) -- Austin, TX [SXSW]

Previous Hush Now Coverage:
Review: The Hush Now | Constellations [MP3]
YouTube Rodeo: The Hush Now's "Wishing You A Very Merry Christmas"
YouTube Rodeo: The Hush Now's "Constellations"
Today's Hotness: The Hush Now
Back To Now: The Hush Now Interview With Noel Kelly
In The Studio With... The Hush Now

August 27, 2009

Review: The Hush Now | Constellations [MP3]

Spoiler Alert: As one inevitably approaches his fortieth or fiftieth listen to the opening cut on The Hush Now's sophomore set -- because it is that good -- the revelation strikes that the pulsing flow of the lyrics to "Contrails" suggests Chuck D's in the greatest hip-hop song of all time, "Don't Believe The Hype" ("they can't come on and play me in prime time..."). That tangent aside, vocals and keyboard tower over the other elements of "Contrails," and we wish someone had depressed the "Superchunk Guitars" button during the mixing session for that track. We can't help but wonder if The Hush Now's songwriter and guitarist Noel Kelly pondered hard over the decision and chose the lighter (and probably more radio-friendly) touch as part of an effort to spread the band's musical wings more broadly on Constellations, The Hush Now's wonderfully realized new collection. Its 10 songs are rife with arrangement and production surprises that increase the dimensions of the band's already formidable amalgamation of British(-style) guitar pop inflected with '70s AM Gold harmonies.

Not the least of these surprises is the stirring bridge in "Contrails," featuring -- E.L.O.-style, and we believe from the mouth of Mr. Kelly's brother -- an operatic vocal solo almost mystically summoning a final giant chorus. Said chorus is further punctuated by a bright trumpet line that charts the front end of a nice contrast to the darker, more bouncing title track that follows. "Constellations" noticeably percolates with similar energy to "Traditions," a highlight of the band's first long-player [live clip of the former track here]. There's a surprisingly soulful horn solo in "Thorns," as well, floating above a spray of delayed guitar that recalls The Cure's Disintegration or The Kitchens Of Distinction's finer moments. The album's first rough edges don't appear until the crackling opening of "All You've Said And Done," although here again the vocals tamp down the big guitars once the lyrics kick in. Later, that song dissolves into 90 beautiful seconds of strings and feedback and accordion that is among the most impressive things to spring from the mind of Mr. Kelly so far. Then "Fireflies" opens with banjo. Such production flairs could easily present as kitschy, pile up and cloud the underlying music, but Kelly and his cohort ably massage them into Constellations so that nothing sounds tacked on at whim. Such remarkable facility with arrangement and production may be the band's biggest surprise of all.

Beyond the broader palette, the new collection isn't that different a beast from The Hush Now's solid self-titled debut (both created with the production assistance of The Mighty Lemon Drops' David Newton). And so Kelly's five-year plan, first detailed here, pushes on. The first single from Constellations, "Hoping And Waiting," is already scratching certain radio charts. The Hush Now's biggest challenge at the moment may be securing a lead guitarist to promote the record this fall, as its most recent six-string-slinger left the fold earlier this month as live commitments are starting to fall into place. However, for a band whose history encompasses a car crash and a flood, fans know it is unwise to count out The Hush Now. Constellations will be self-released by the band Oct. 13.

The Hush Now -- "Hoping And Waiting" -- Constellations
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[buy Hush Now music right here]

The Hush Now: Internerds | MySpace | YouTube | Flickr

Previous Hush Now Coverage:

YouTube Rodeo: The Hush Now's "Constellations"
Today's Hotness: The Hush Now
Back To Now: The Hush Now Interview With Noel Kelly
In The Studio With... The Hush Now
Review: The Hush Now -- The Hush Now