Today's Hotness: Fog Lake, Sediment Club, Blank Realm

>> A year in the making, Fog Lake's terrific long-player Victoria Park arrived late last month, and it sounds like the cool morning before a stifling hot summer day. The release, the third long-player from the St. John, Newfoundland-based act, is informed by both a beautiful melancholy and an ungraspable yet quenching nostalgia. Fog Lake is centered around the songwriting of talented introvert Aaron Powell, whose music here drones and hums, presenting spectral voices and thrumming piano chords and more than a little mystery in a blurry but entrancing pastiche that recalls the dark wonders of Cat Power's "What Would The Community Think?," for example. Fog Lake began as a solo project for Mr. Powell about seven years ago. Historically, he has written and recorded alone, but this changed with Victoria Park, on which he was abetted on Victoria Park by the synth playing of Kenney Purchase on a few songs (Powell also relies on additional players when performing live). The collection is consistently enchanting, but points of interest include the relatively uptempo and anthemic "Antidote," whose drone is spangled by distant snare and Powell's reedy tenor. The highlight of Victoria Park is the absolutely haunting, poignant album closer "Dog Years," a mesmerizing video for which was released to the wilds of the Internerds earlier this week; we strongly recommend you watch that right here.Orchid Tapes released Victoria Park June 30 in a limited edition of 115 white cassette tapes; unsurprisingly, it is already sold out. Orchid Tapes was quick to bring to market a second edition of its other recent hit, Katie Dey's tremendous asdfasdf [review], so it is very likely a second edition of Victoria Park will materialize shortly. In the meantime, stream the entire, excellent release via the Bandcamp embed below.



>> Like Empire State noiseniks Palberta, New York City-spawned no-wavers The Sediment Club bring a refreshing, random logic to its DIY house-show squealing, traits that make the veteran trio's careening, desperate music the perfect summer spazz-rock cocktail to complement the season's scorching weather and bizarro political times. Lead single and title track "Psychosymplistic, Psychosymplastic" unravels the act's curious madness in grand, pounding fashion. The swooping, elastic bass, staticy noise-guitar and Austin Sley Julian's yelping vocals contribute equally to the tune's chaos. The result is an aggressive listen sans many of the typical trappings peculiar to aggressive punk music. Mr. Julian's intensity and the ridiculous lines of the chorus challenge listeners to consider what precipitated such a pleasingly ramshackle -- yet air-tight -- attack. How did The Sediment Club get to this? What's beyond life's random accidents and puzzling combinations of sound and action? Maybe, just maybe, that's all life really is, and The Sediment Club are here to soundtrack the gradual melting of all preconceived notions into a dense, modern soup. Psychosymplistic, Psychosymplastic will be released by Wharf Cat Records July 24 on limited edition LP, CD and digital download. The LP is available in an edition of 100 pieces with hand-screened sleeve art; the CD is packaged in a special clamshell case with fancy sticker and apparently noteworthy bar code? Pre-order any of the formats right here. The Sediment Club formed in 2008 and touts a formidable back catalog of LPs, EPs, tapes and singles, much of which appears to be listed at its web dojo; check it out. The band plays a house show in Boston at something called Scorched Ear tonight -- ask a punk for deets. Listen to "Psychosymplistic, Psychosymplastic" via the embed below. -- Edward Charlton



>> Brisbane, Australia four Blank Realm caught our ear recently with "River Of Longing," a kaleidoscopic guitar-pop number that does justice to antipodean nation's infamous psych-tapestry heritage. From its upcoming sophomore album Illegals In Heaven, due out via Fire Records on Sept. 4, the band showcases dynamic and colorful guitar melodies that dance around singer Daniel Spencer's tossed, playful vocals. The knowing, casual allure of Mr. Spencer's delivery brings to mind that of Canadians Kevin Drew and Brennan Canning of Broken Social Scene, the commonality being brutally earnest but inviting melodies. Speaking of melody, that is the name of the game for Blank Realm; at times the band seems to have so many ideas that they nearly overwhelm the comparatively simple chords and structures that underpin "River Of Longing." The song's opening guitar chime provides a sturdy foundation for song's big, wiry hooks, an opening salvo coated in warm delay and echo that not only recalls Johnny Marr's note-dense playing in The Smiths but also something a little more modern, like the halfway point between The Church and the sunny, synthesizer-driven style that usually comes with music that feels this bouncy, sexy and hopeful. Illegals In Heaven was available in your choice of black or limited pink-and-white vinyl, but the limited edition pink-and-white edition has already gone the way of the dodo bird, so, sorry. Pre-order the black vinyl, or the handy CD or digital download versions, direct from the Blank Realm Bandcamp right here. -- Edward Charlton



http://www.firerecords.com/site/index.php?page=release&releaseid=00000001300

Today's Hotness: WHOOP-Szo, Dignan Porch, Popstrangers

>> We make no secret of our affinity for the unexpected in music -- hell, even perplexity, in the right frame of mind -- and the latest band to wow us in that regard is Guelph, Ontario-based psych-pop explorers WHOOP-Szo. The act, which just this week self-released their incredibly ambitious and apparently third LP Niizhwaaswo, has spent a substantial amount of time living in "Arctic Canada" among certain Inuit people, and a curious email we received described their latest release as "our third and final document of our adventures" there. The songs on Niizhwaaswo are bathed in a manic, modern psychedelic sensibility; soothing faraway vocals anchor a collection that otherwise readily sprawls in every direction with a sort of aural schizophrenia. While perhaps hard to grasp at first, this is truly rock music that betrays little in the way of traditional influence or stylistic corruption. Instrumental opener "Boat Cave" establishes a mood with long blasts of feedback, organ and all manner of squiggly fuzz sounds, as well as jazzy percussion, all of which serves to introduce the improvisational nature of the band. By the next track, "CSG," group vocals bathed in reverb and atonal chordings make overatures toward a traditional tune, but are ultimately scuttled by metallic chugging, snotty screams and a derailed train ride of moans and yelps. "Myeengun" recalls EVOL-era Sonic Youth, and their bruised and tense no-wave sexuality. Lead single "Jan. 3rd" even more surprisingly peels things back to reveal an acoustic strummer befitting of certain songs in Kevin Drew's repertoire. "I'm Outside Looking In," they sing, on their one truly "normal"-sounding song, and really no sentiment is more fitting, especially considering where this set was recorded. Given the vast amount of terrain it covers, Niizhwaaswo is shockingly brief. In today's ultra-connected era, one expects nearly every musician to have consumed heaps of other styles and touchstones that set general parameters before she or he ever writes a note, but WHOOP-Szo are the exception to the rule. Are these guys the spiritual successors to yesterday's unhinged, experimental improv pop ensembles like The Red Krayola, The Pop Group or Butthole Surfers? Maybe. Either way, we're all lucky that there are still creative minds out there that can so interestingly break free. We highly recommend Niizhwaaswo, which you can purchase here as a beautifully silkscreened, single-sided vinyl LP or digital download. Stream the entire LP via the embed below. -- Edward Charlton



>> Coming June 16th is yet another classy slice of mid-fi goodness from Brighton, England's reliably great Faux Discx label. We speak of the third album from South London-based jangle merchants Dignan Porch, the one-time bedroom pop-ject of one Joseph Walsh (no relation, we're sure) that is now a quartet. Their forthcoming set is called Observatory, and, based on the jaunty pop of the preview track "Wait & Wait & Wait," we expect it will be a fine compendium of the band's signature refined guitar-pop sound. Having already released two albums on New York's renowned Captured Tracks imprint, Dignan Porch are hardly newbies. "Wait & Wait & Wait" is a fuzzy, bouncing and vaguely country-tinged track with a fine dual vocal harmony throughout the verses. The tune touts a fantastic pop structure, with a subtle, sly chorus that sneaks up on the listener. Tasteful guitars never showboat, but instead inhabit the sad, patient groove in ways the Velvet Underground's Sterling Morrison was particularly adept at on those classic live albums. Even more special are the last three chords of the main riff, which are emphasized by the drummer's crash cymbal and effect a great downward run that perfectly highlights lead singer Joseph Walsh's melancholy, choked-up acceptance as he waits, and waits, and, well, you know. Preorder Observatory on 180g vinyl or as a digital download right here. If you want that vinyl, act fast: according to Bandcamp only 36 of the original pressing of 500 flat circular discs remain unsold. Stream "Wait & Wait & Wait" via the embed below. -- Edward Charlton



>> In the run-up to the release of it latest LP, London-transplants Popstrangers have played a perfect inning. The first brace of preview singles, the undeniable "Country Kills" and dark groover "Don't Be Afraid," stepped to the proverbial plate with quality, and a third preview single from Fortuna, the trio's recently issued sophomore set, loads the bases. "Distress," is a delay-soaked classic punk rocker, sporting the band's characteristic textures, a free-wheeling sensibility and a sly chord arrangements. The tune touts fantastic, seemingly off-the-cuff verse melodies that present a perfect aural foil to the song's straightforward guitar strumming. "Distress" builds to a brilliant if cloudy Britpop plea in the chorus ("Why don't we all just stop fighting?") that, interestingly, evokes the more accessible cuts from (formerly) fellow New Zealanders Bailterspace. Indeed, the press materials accompanying Fortuna make light of Popstrangers' transition from their native NZ to London, so maybe, just maybe, said evocation is a friendly shout-out to a life left behind. Popstrangers' grand slam, of course, is Fortuna itself. Released just last week in the U.S. on the increasingly formidable Carpark label, the collection confirms what this reviewer suspected -- Popstrangers are capable of applying their careful sense of texture and production to an entire, dynamic set of songs. Opener "Sandstorm" dramatically shifts between dreamy picked passages and a key-changing strummed chorus. "Tonight" conjures more of the odd, choppy, upfront guitars that made the dynamite album highlight "Country Kills" so thrilling. Closer "What's On Your Mind?" further evidences that this band's boldness at marrying together disparate slices of songs to form unexpected, poppy epics. Carpark released Fortuna May 23; purchase it right here, and stream the entire collection via the Spotify embed below. -- Edward Charlton

Today's Hotness: Tempertwig, Naxos, Joy Division

>> Right as we fell down the rabbit hole of work about six weeks ago we got turned on to the excellent but sadly defunct UK duo Nosferatu D2 [item here]. Now that we've had time to do a little more looking into things, we've learned that Nosferatu D2 was the successor to an earlier trio dubbed Tempertwig. The band as far as we can tell is simply Nosferatu D2 with a bass player and guitar pedals. The added elements take the introverted, hard conflagration of Nosferatu D2 and turns its taut, relentlessness outward, releasing in big crescendos the energy that seethes in the music of the latter band. Anyway, there are four Tempertwig tracks available gratis at a Last.FM page for the band here. We recommend them all, but the one that sticks with us most is the track "This Means Everything, This Don't Mean A Thing," which we're posting below.

Tempertwig -- "This Means Everything, This Don't Mean A Thing"
[right click and save as]

>> An interesting note at the bottom of Sunday's New York Times profile of the classical label Naxos. "[T]he company is branching out into indie rock because it’s the passion of [the principles'] son, Henryk." Given the label's singular way of doing things -- which has made it perhaps the strongest classical label going -- it will be interesting to see which indie acts it champions and how it markets them. Read more here.

>> Sticking with the New York Times today: author Simon Reynolds' main criticism here of the new Joy Division biopic "Control" is inherently flawed. Mr. Reynolds takes director Anton Corbijn to task for framing the narrative of the film around Ian Curtis' marriage; Reynolds would prefer that Joy Division's story be couched in its "sociopolitical context." That's would be all well and good -- except that the film "Control" is based on the book "Touching From A Distance," a biography written by Deborah Curtis, Mr. Curtis' widow. Certainly "Control" could have included the context Mr. Reynolds yearns for. But it is hard to fault Mr. Corbijn for adhering to the text upon which his movie is based.

>> Two things we love about the new teevee program "Chuck": the use of Spoon's "Don't Make Me A Target" in the second episode, and the fact that the dude from the insanely awesome 1980 movie "My Bodyguard" is in it.

>> A Message For Kevin Drew. You've got J Mascis guesting on the hottest track on your solo record, and then you leave his guitar -- nay, all the guitars -- way down in the mix? Missed opportunity to put some rock on your very nice but occasionally rock-anemic set. Just sayin'.

Today's Hotness: A-Sides, Kevin Drew, Armalite

>> Word on the street, or at the least at the bottom of this blog post, is that Philadelphia indie rock phenoms The A-Sides will tour extensively in October. Vagrant will issue the band's sophomore set Silver Storms Aug. 28. Well, actually, Spin.com today says here that the set will now be issued Sept. 18, as does the band's web dojo; not so much their Virb page. Things change. Incidentally, Spin.com, which named The A-Sides their band of the day today, thinks the band sounds like The Shins and Modest Mouse. Uh, what? Either way, make sure to hit that link to Spin.com supra and grab the MP3 for the newish track "Diamonds." Speaking of The A-Sides, we'd never seen this live footage of the band playing "Cinematic" last January at Philadelphia's 700 Bar. The A-Sides are in Boston at the Middle East Aug. 9. We'll be there.

>> This new video for Broken Social Scenemeister Kevin Drew's "Backed Out On The..." that features J., Murph and Lou from Dinosaur Jr. is getting a huge !!hell yeah!! from us (note the crazy exclamation points for added jazz). Pitchfork has the video posted right here. Drew releases his inelegantly titled solo set Broken Social Scene Presents: Kevin Drew, "Spirit If..." Sept. 18 on Arts & Crafts.

>> Pop-punk supergroup Armalite, which features Atom Goren of Atom And His Package and a bunch of other famous-type Jersey hardcore kids, doesn't want you to forget that they are playing a rare live show Aug. 10. at the First Unitarian Church in Philadelphia. So don't. Armalite's self-titled debut was one of our favorite records of 2006; we had occasion to dine with Mr. Goren in May and he said there are currently no plans for a second Armalite set, as the guys are all busy with other things. So this show is as good as you're gonna get. Someone please take video. And here are some MP3s:

Armalite -- "Entitled" -- Armalite
Armalite -- "I Am A Pancreas (I Seek To Understand Me...)" -- Armalite
[right click and save as]
[buy Armalite from No Idea right here]

>> Merge Blog has just posted here two acoustic cuts from Swede pop sensations Shout Out Louds. One of the cuts is the infectious bouncer "Tonight I Have Leave It," which we wrote about here a couple weeks back. The other is called "Impossible." Both songs were part of a radio session recorded by LA-based commercial rock station Indie 103. We can't get either of the files to open, but perhaps if you check back later the Merge web gremlins will figure out what the problem is.

>> Fun fact from a recent Brian Baker interview that Pun Canoes links to here: apparently DC hardcore legends Minor Threat have sold between 800,000 records and a million records over the last quarter century or so, according to Mr. Baker's estimate. Not too shabby for guys who have never once cowtowed to The Man. We salute you, Minor Threat.

>> Believe it or not, we are actually going to get out and finally see The Beatings tonight, speaking of our favorite records of 2006. We'll have a full report over the weekend.