Showing posts with label Young Prisms. Show all posts
Showing posts with label Young Prisms. Show all posts

June 11, 2015

That Was The Show That Was: Eternal Summers | Great Scott | 2 June

That Was The Show That Was: Eternal Summers | Great Scott | 2 June

[PHOTO: Dillon Riley] Eternal Summers boast a bright, airy sound that's familiar yet distinct, but they are particularly beguiling live, so the fact that the Roanoke, VA-based dream-pop trio played an expanded set last week at Boston's Great Scott rock club was a welcome surprise. The set -- actually more like a set-and-a-break-and-then-a-half-set -- drew heavily from the band's recently issued collection Gold And Stone, the fourth Eternal Summers platter issued by indie mainstay Kanine Records (which has also brought you now-sounds from luminaries Grooms, Pinact and Young Prisms, among others). The Great Scott gig served as a sort-of release party for the new record, as it was issued that very day, and unsurprisingly the evening's program leaned heavily on the crystalline yet urgent material from Gold And Stone.

Eternal Summers' shimmery, reverbed songs hint at some sort of sublimated, inner darkness, but the band seems to uncoil live, and the effect on the already-affecting music is revelatory, as emotions captured in the songwriting are pushed to the fore. Fronter and guitarist Nicole Yun wields a truly underrated voice, one comfortable corralling songs in with lilting coos, but also capable of commanding shouts, too. The trio's sound is led by Ms. Yun's big, clean guitars, but its secret weapon may very well be the adventurous work of drummer Daniel Cundiff. With a playing style that struck us as akin to a slightly reeled-in Jayson Gerycz from Cloud Nothings, Mr. Cundiff often snuck quick floor tom hits between his snare beats. The band routinely bested the recorded renditions of its songs on stage, especially in the case of many of the still-fresh new numbers.

Kanine released Gold And Stone June 2, and one may acquire the collection as an LP, CD or digital download directly from the label right here. Stream the romantic rocker "Together Or Alone" at Soundcloud right here, and the title track to Gold And Stone via the embed below; a video for "Gold And Stone" was unveiled last week and can be seen here. Eternal Summers' current tour wraps June 19 in Harrisonburg, VA, but the band is on the road for much of the (we suppose not-quite-eternal) summer, and all currently scheduled live engagements are listed at the threesome's web dojo right here. -- Dillon Riley

Eternal Summers: Bandcamp | Facebook | Interzizzles



November 1, 2012

Today's Hotness: Endless Jags, Parakeet, Dot Dash, Soccer Mom

Endless Jags -- Endless Jags

>> It's taken for granted at this point, to the extent that anyone really talks about it anymore. But the best part about music blogging is the band that randomly emails you, that says "check us out," and that is totally awesome. It might happen two or three times a year. The last one that blew us away was our beloved Infinity Girl (who, of course, next week will open Clicky Clicky Music Blog's Community Servings benefit show at Great Scott in Boston). But last month brought another, Portland, Maine-based indie rock upstarts Endless Jags. The sextet self-released a self-titled EP Oct. 16, and it is packed with dynamic, emo-tinged guitar pop driven by fronter Oscar Romero's impassioned vocals and overdriven by big melodies. The short set was recorded in part and mixed by Shaun Curran at Napoleon Complex in Somerville, Mass. Trivia hounds will recognize that studio as the same that produced Clicky Clicky favorites Soccer Mom's brilliant debut single and towering 2011 EP You Are Not Going To Heaven. Pegging Endless Jags' sound causes one to grasp in a lot of different directions: there's the care-free energy and care-full emotion of the music echoes that of Mock Orange's stellar First EP; the Farfisa that colors large portions of Endless Jags has not been so brilliantly deployed in indie rock since Rocketship's mind-erasingly good A Certain Smile, A Certain Sadness; Mr. Romero's voice is not unlike that of The Walkmen's Hamilton Leithauser. But it is the combination of these elements that makes the EP so potent, from the big crescendoes in opener "Seen Men" to the careening eponymous tune "Endless Jags." We can't wait to hear more from these guys: Endless Jags is a hit!



>> Parakeet, the side project of Yuck bassist Mariko Doi, last week quietly unleashed to the wilds of the Internet a stream of a new EP titled Shonen Hearts. If our minimal understanding of Japanese remains intact, we think "shonen" means "boy," so make of the title what you will. The music on the collection is delightfully smeared and grungy guitar pop. The lead track "Tuomono" layers rich, gritty guitar and bass over a simple rhythm and creates giddy forward movement by overlaying punchy melodies. The title track is a blissful confection that recalls The Primitives. The rest of the collection similarly pits noise against pop; it's not overtly Yuck-y, but there is an element of obviousness and inevitability that makes Shonen Hearts a rewarding listen. The London-based trio's short set is due Nov. 19 as a limited edition gold (we assume gold-colored, not, like actual gold) cassette available exclusively from Rough Trade in the UK. Pre-order Shonen Hearts right here, right now. Parakeet over the weekend played two UK shows with The Walkmen (there's that band name again...); the trio embarks on a short strand of tour dates Nov. 11 with the hotly tipped Diiv, which tour includes stops in Berlin and Cologne in Germany, Kortrijk, Belgium and two dates in London. Parakeet debuted with a single in April, "Tomorrow" b/w "Paper, Scissors, Stone," that we wrote about right here.



>> We've slept on it for weeks ands weeks, but the forever-solid Terry Banks and his band of merry indie veterans in Dot Dash returned last month with a cracking sophomore set, Winter Garden Light, that we've been spending a good deal of time enjoying. Yeah, the title sounds like an installment in the Dragonlance fantasy franchise, but we assure you: this is a very fine collection of indie pop tunes from a coterie of top-shelf scene veterans of bands including Julie Ocean, The Saturday People, Tree Fort Angst, Modest Proposal and legit hardcore legends Youth Brigade. Mr. Banks, et al., craft quality guitar-pop tunes that plant one foot in the future whilst dangling the other in the band's collective college rock past. And like Wire, from whose song Dot Dash takes their name, the D.C.-based act's approach is simple: each tune is an astutely realized nugget of punky songwriting relying on a few chords, aggressive bass work, and swoon-inducing backing vocals. "Writing On The Wall," a stand-out cut from Winter Garden Light, commences with an arresting bass descent paired with Banks' pleasant power-pop patter. Trebly, slapping rhythm guitar follows the vocal, as Banks peels off anthemic lines that penetrate your head like "a penny for your thoughts, my kingdom for a horse." The song closes with perfect snare rolls and a great guitar breakdown evidencing the band's tasteful deployment of delay and minor keys. Winter Garden Light is available now from The Beautiful Music label. -- Edward Charlton



>> Avid readers will recall that a month ago we wrote about the crushing forthcoming single from Clicky Clicky faves Soccer Mom. At the time we could tell you about "Brides" b/w "Canoe," but we weren't able to share any music with you. That's just no way to leave things. So fortunately we're now able to share with you a stream of "A Canoe Shy" (that's the full title of the tune, yeah) below. The song highlights the Boston quartet's dense, punishing guitar attack, features one of founder Dan Parlin's most affecting vocal melodies, and is also notable for being the first official 'Mom release featuring Mr. Justin Kehoe pounding the skins and hardware. As we said last month, Soccer Mom plays a very hot bill Monday at Great Scott in Boston, an evening that features the hotly tipped Tamaryn and west coast shoegaze luminaries Young Prisms. "Brides" b/w "Canoe" will be released by 100m Records the following day, and you can pre-order your copy right here if you aren't able to get to the show to buy one straight from the band.

March 21, 2012

Today's Hotness: Young Prisms, Violens, Speedy Ortiz

Ypung Prisms
>> Shoegaze purists rejoice! While waiting for the next Ringo Deathstarr platter to come along and provoke the tinnitus, might we suggest checking out another group of revivalists who have done their homework: San Francisco's Young Prisms. The quintet's second full-length, In Between, is due March 27 on the venerable Kanine Records, and the album's wide-eyed take on the genre evokes memories of a certain strata of superlative, bygone American pedal pushers (Ultra Cindy, Drop Nineteens, Astrobrite). While Young Prisms breaks no new ground either compositionally or sonically here, In Between's understated boy/girl vocals, churning guitar chords, and dazed, reverberant snare drum marches will delight enthusiasts of the genre (present company included). Throughout the mostly mid-tempo set, Young Prisms cultivates some great melodies, including that of lead single "Four Hours (Away)," the vocal of which notably taps a Mazzy Star-like lilt while the instrumentation strikes a light, Motown-flavored contrapposto. The real winner of the collection, however, is "Better Days," a wonderful tribute to "Sarah Sitting" by the mighty, beloved Boston group The Swirlies that touts a shifting melody and queasy guitar lead. In the way that Interpol took the vibe of The Chameleons and sexed it up for a new generation, Young Prisms aims to inspire a rising legion of 'gazers with seldom-heard references that have always deserved more attention. Pre-order In Between from Kanine right here, and check out the marvelous live set recorded at Shea Stadium last October via the embed below -- Edward Charlton



>> In a wonderful surprise last week, Slumberland Records posted to its Soundcloud page a new track from New York-based chord merchants Violens (an act which, incidentally, has remixed Young Prisms' "Floating In Blue"). The song, "Der Microarc," is from the act's upcoming album True, slated for release May 15th. Violens isa five-year-old progressive pop band that combines elements of '80s alternative rock sounds with early electro and broad vocal harmonies. Utilizing these tools, the band concocts a rare form of psychedelia via compositional weirdness, rather than relying on effects. Beautiful, odd chords and melodic turns can leave the listener disoriented even as they are dancing along. It's a rare musical feat that speaks of a musical intelligence and playfulness that the indie world can always use more of. "Der Microarc" is a quickly paced jam that displays a clarity that was missing on Amoral, the group's crowded yet superb 2010 debut. The song follows an effective four chord strum; a kraut groove filtered through the prickly surrealism of Daydream Nation. Better yet, the band seem to be tapping into the vibes of Mahogany's smashing Connectivity! album and its internationalist cosmo-pop. The signing of Violens could signal a welcome shift in the recent Slumberland roster, which lately has seemed to focus primarily on somewhat predictable presentations of the C86/ Black Tambourine legacy, as opposed to the label's more experimental past, including ground breaking releases from bands like Hood, Lorelei, Stereolab and Whorl. This thought alone is enough to make the anticipation for True unbearable. -- Edward Charlton



>> We don't know the age of Sarah Dupuis and the rest of Western Mass.-based Speedy Ortiz, but we imagine that they wish they were born 20 years ago. Because there's little doubt that Speedy Ortiz's recent single "Taylor Swift" would be garnering scads of major market FM radio play on the fledgling alternative rock-formatted stations that were springing up back then. And on the strength of the single Speedy Ortiz would probably be aboard a commercial flight to Los Angeles right now (well, right now 1992) to record a full-length for one of those major-backed, faux indie labels we had back then. But, of course, it is not the bizarro world of the early '90s we're currently living in. That, however, does not weaken the impact of "Taylor Swift," a crunchy, feedback-spangled, grunge-pop gem with a ridiculously catchy, swaggering chorus. The single, backed with the even-heavier but still delicious and angular "Swim Fan," was recorded by Paul Q. Kolderie at Mad Oak Studios and mixed by Justin Pizzoferrato, whose name you know from his work with Dinosaur Jr. and Young Adults, among many others. And, if a post on the band's Facebook page is to be believed, apparently naming their single "Taylor Swift" is a trademark violation, so the song title may be changing. Speedy Ortiz are slated to play the Pipeline! radio show on MIT's WMBR on April 24, and the band has a short series of tour dates in the Northeastern United States in late March that are posted to its Bandcamp page right here. It appears the band is currently recording a five-track EP at the Sex Dungeon in Philadelphia titled Sports, which we are now very eager to hear. Check out "Taylor Swift" and "Swim Fan" via the embed below.