That Was The Show That Was: Eternal Summers | Great Scott | 2 June

[PHOTO: Dillon Riley] Eternal Summers boast a bright, airy sound that's familiar yet distinct, but they are particularly beguiling live, so the fact that the Roanoke, VA-based dream-pop trio played an expanded set last week at Boston's Great Scott rock club was a welcome surprise. The set -- actually more like a set-and-a-break-and-then-a-half-set -- drew heavily from the band's recently issued collection Gold And Stone, the fourth Eternal Summers platter issued by indie mainstay Kanine Records (which has also brought you now-sounds from luminaries Grooms, Pinact and Young Prisms, among others). The Great Scott gig served as a sort-of release party for the new record, as it was issued that very day, and unsurprisingly the evening's program leaned heavily on the crystalline yet urgent material from Gold And Stone.

Eternal Summers' shimmery, reverbed songs hint at some sort of sublimated, inner darkness, but the band seems to uncoil live, and the effect on the already-affecting music is revelatory, as emotions captured in the songwriting are pushed to the fore. Fronter and guitarist Nicole Yun wields a truly underrated voice, one comfortable corralling songs in with lilting coos, but also capable of commanding shouts, too. The trio's sound is led by Ms. Yun's big, clean guitars, but its secret weapon may very well be the adventurous work of drummer Daniel Cundiff. With a playing style that struck us as akin to a slightly reeled-in Jayson Gerycz from Cloud Nothings, Mr. Cundiff often snuck quick floor tom hits between his snare beats. The band routinely bested the recorded renditions of its songs on stage, especially in the case of many of the still-fresh new numbers.

Kanine released Gold And Stone June 2, and one may acquire the collection as an LP, CD or digital download directly from the label right here. Stream the romantic rocker "Together Or Alone" at Soundcloud right here, and the title track to Gold And Stone via the embed below; a video for "Gold And Stone" was unveiled last week and can be seen here. Eternal Summers' current tour wraps June 19 in Harrisonburg, VA, but the band is on the road for much of the (we suppose not-quite-eternal) summer, and all currently scheduled live engagements are listed at the threesome's web dojo right here. -- Dillon Riley

Eternal Summers: Bandcamp | Facebook | Interzizzles

Today's Hotness: Best Friends, Sapphire Mansions, Radstewart

>> Art Is Hard Records continues to command attention, not only for its fine curation and great taste, but also due to brave and unconventional packaging concepts. Perhaps it's because of their singular methods that we sometimes lose sight of the fact that they still function as a tried-and-true label with a steady supply of CDs, tapes and vinyl. Which, of course, brings us to their latest 7", a stunning double A-side for the manic Sheffield, England quartet Best Friends, due Sept. 23rd. One side of the disc, "Happy Anniversary," reveals the scrappy band wearing a bit more production polish that we've heard from them previously, as well as more mature subject matter (their earlier, surf punk-inspired numbers explored such multi-dimensional aspects of the human condition as "Surf Bitches" and "Dude Love"). While there's still plenty of thick, churning guitars, one can't help but notice the way "Happy Anniversary" unfolds – full of space and a crooned vocal. It evidences a band unwilling to adhere to one approach for too long. After its delicate intro, "Happy Anniversary" introduces a descending surf lead and fuzzy flange on the rhythm guitar that each add thoughtful and evocative texture to the band's brand of bash 'n' pop. Best Friends has consistently exhibited a steady hold on the mid-range of their productions, and this thankfully remains true here: the mix is thick and pleasant, the drums splash along, and the chorus follows the guitar line for a great melodic punch. The flip of the single is quick-paced strummer "Nosebleeds," which -- impossibly -- is even more catchy, melodic and direct than "Happy Anniversary." All of which has us wondering: is this the best single of the year? When all is said and done, it will certainly be a contender. Both sides of the cracking single are embedded for streaming below; judge for yourself. Pre-order "Happy Anniversary" b/w "Nosebleeds" -- which comes packaged with a comic drawn by Nai Harvest's Lew Currie, and the option of adding a t-shirt to the deal, as well -- from Art Is Hard right here. -- Edward Charlton





>> We recently noted the head of a certain terrific American indie label recommending to the attention of friends an act called Sapphire Mansions; the label is constantly putting out first-rate stuff, so we thought we'd best have a listen. Brooklyn-based pop upstarts Sapphire Mansions are preparing to self-release Oct. 23 a debut six-song EP (eight songs if you buy the cassette, or even more if you buy a CD-R) titled Over America. Despite its title, the short set's hazy but spare indie pop suggests the influence of decades-old U.K. and even Kiwi acts as much as it does bands closer to home like The Ocean Blue and The Pains Of Being Pure At Heart. Sapphire Mansions distinguishes itself via the unconventional application of mixing EQs and reverbs, something that makes the quartet's EP a compelling listen. Often the tracks feel at arm's length, squeezed and swirled, so that what would otherwise seem conventional production assumes a foreign quality via, for example, the mysterious, hissing treble in fronter Jay Hough's vocals, or the mechanistic whooshes surrounding drummer Josh Feldman's snare beats. The overall flavor is one of slight unease, giving Over America an intriguing tension, even a sense of danger, despite the sturdy pop skeleton underneath. The EP is refreshing and definitely worth pre-ordering, so that blasting it on the hi-fi can become a reality come late October. Be the first kid on your block to own one by pre-ordering it at Bandcamp; click through the embed below to find out how. -- Edward Charlton



>> This reviewer often takes a sharp turn in terms of rock music consumption once summer starts to inevitably wind down. Gone are the gleeful and blissed records that encouraged lazy afternoons. Instead -- as if in preparation for the cold -- the harsh, aggravated noise of detached garage singles and the cool, mechanical precision of post-punk suddenly seem the best aural accompaniment. Our good and perhaps telepathic friends at Alcopop! may be feeling the same way, based on its recent announcement that it has signed and will release an EP in October from the spectacular Cardiff, Wales-based slack-core foursome Radstewart. The year-old act -- part of the aforementioned Art Is Hard's constellation of acts, as well -- is just the kind of band the world needs right now. Mixing a sense of The Fall's humorous and wordy motorik antics, a pinch of the Velvet Underground's taste in chords, and the goofball chemistry of early Pavement (which, we suppose, also comes by way of The Fall), this young Cardiff unit has hit upon the perfect indie cocktail. The promotional single "Beer Swindlers" is a fuzzy, grinding bit of tongue-in-cheek noise-punk. The singer's deep but nasal speak-drawl imbues the recordings with an agreeable and easy character, not unlike that of popular American peers Parquet Courts (who have seen great success with their updated, millennial take on the roots of punk and DIY). "Beer Swindlers" can also be found on the group's superb self-released and about-to-sell-out three-song CD, the last five of which are on offer at the band's Bandcamp here. If that short disc (and this video for the sublime "Hot Dog") is any indication of what Alcopop! has in store for us, be ready for greatness; we advise keeping an eye on the Alcopop! store for the appearance of pre-order details. Radstewart have landed a plumb spot supporting Sky Larkin's fall U.K. tour, the dates of which one can inspect right here. Listen to "Beer Swindlers" via the embed below. -- Edward Charlton

Today's Hotness: Joey Sweeney, White Reaper, Sky Larkin

>> Delaware Water Gap, Penn.-based label La Société Expéditionnaire disclosed late last month it will release new music from Philadelphia indie rock legend Joey Sweeney later this year. The label, home also to Clicky Clicky faves Arc In Round, will issue Mr. Sweeney's Long Hair, a collection that was recorded earlier this year with input from multiple producers; a video trailer for the album -- featuring what we suspect is the collection's title track -- is posted atop this item. There is a very nicely produced live video featuring another new song, "When You Say My Name," that you can watch right here. Over the last 20 years Sweeney fronted such notable concerns as Barnabys, The Trouble With Sweeney, The Joey Sweeney Rock Band and, most recently, the bar band Arctic Splash. A show celebrating Sweeney's two decades in rock was held in Philadelphia last fall, and a career-spanning digital compilation Joey Sweeney Your Life Is Calling was released around the same time. The comp is packed with classic jams aplenty, including "Losers From Rodman Street," "Tiny Ships," "My Name Is Rich" and "The Snitch," as well as some newer acoustic tracks recorded with Kurt Heasley on an island in 2010. While we bemoan the absence of brilliant tracks such as "Gargamel," "The Lever" and "Park Slope" from the set, we recommend you make time for the entire jawn, which you can stream via the Bandcamp embed below. No specific date for the release of Long Hair has been made public yet, nor is there a pre-order presently in place, but we'll certainly bring you that news in due time.



>> You will learn just how well your head is bolted on to your body after just the first 10 seconds of Louisville duo White Reaper's new A-side "Conspirator." Basically, if the head-bolting folks did a good job, you'll still have your head after the verse explodes into your ears. The tune's raucous guitar cacophony and infectious, classic UK-style punk energy charge out of the gates and never let up, an impressive feat as the song approaches four minutes in length. The guitar tracks are distorted to the point of crumbling, the spirited drumming bashes holes through the near white-out onslaught, and fronter Anthony Esposito guides the melody with shouty sloganeering. It's gut-level, immediate rock and roll, tougher and grittier than other popular pairs of the contemporary indie era such as Japandroids or England's Playlounge, but just as appealing to the senses. "Conspirator" is backed by the equally energetic, albeit mildly psychedelic B-side "The Cut;" both tunes were recorded in February at Louisville's Tree House Audio. The single is available Monday via Earthbound Records on black or limited-edition, translucent blue vinyl 7" vinyl (although Earthbound's Facebook indicates the single was available in late May if you knew where to look). White Reaper previously released an EP titled White Aura last October, and it is now available as a name-your-price download at Bandcamp right here. White Reaper is planning to release a forthcoming full-length via Karlsruhe, Germany's Red Lounge Records, but there are no other details about the release available presently. Stream "Conspirator" and "The Cut" via the Bandcamp embed below. And, while we're on the subject, we think you will find this video for "Conspirator" quite enjoyable, as it looks like it was both filmed and edited via a shoulder-mount S-VHS camcorder in 1991.



>> Big news last week out of Sky Larkin's camp, as the Leeds-based indie rock quartet announced it will release later this year a new long-layer titled Motto. Wichita Recordings will do the honors in the UK, and the release date is Sept. 16. The new record, Sky Larkin's third and first since 2010's fantastic Kaleide which we wrote about here, is being promoted with a cracking, but brief new single "Loom," which will be released a week prior to the full length. The title track to "Motto" was unveiled in late spring, and you can still hear the dense and tense rocker right here. Stream "Loom" via the Soundcloud embed below. Pre-orders for Motto -- which was recorded in Seattle with John Goodmanson -- are being taken now; the set is available as a clear vinyl LP in gatefold sleeve with CD, as a CD only, and of course digital download, which includes an as-yet unidentified bonus track. Sky Larkin will tour the UK for two weeks in late September, starting with a London date on the 17th; we advise North Americans to keep their fingers crossed for U.S. dates.

Nosferatu D2 Legacy Revisited, Remastered Recording Of Final Show Now Available From Audio Antihero

The legacy of largely overlooked but wholly genius indie rock duo Nosferatu D2 has experienced yet another unlikely echo, as an enterprising reporter with PRI's "The World" radio program last month once more amplified the startling singularity of the defunct Croydon, England band. Featuring interviews with fronter Ben Parker, who these days is writing plays and fronting an expanded version of his Superman Revenge Squad, as well as Audio Antihero Records founder Jamie Halliday, the radio piece is embedded below, and is very much worth a listen. We've written perhaps more words than anyone about Nosferatu D2 and Mr. Parker, who formed the band with his brother and largely architected its uncompromising attack: clean but aggressive guitar, thermonuclear drumming and more desperately dark lyrics than often could be contained by the meter of the verses. "The World" reporter Brendan Mattox gets great stuff. Of the band's dissolution in 2007, Parker tells him, "I think I realized how angry we were. And how I almost had to put on this angry persona to play the gigs for Nosferatu D2." And then Mr. Mattox breaks a little news, which is now made manifest: today, almost three years after Audio Antihero launched with its maiden title, Nosferatu D2's We're Gonna Walk Around This City With Headphones On To Block Out The Noise, the label is releasing for free a remastered version of a live recording of the Croydonites' final show.

On March 5, 2007, the band performed on a bill with two other then-young acts that have since gone on to much wider acclaim: Los Campesinos! and Sky Larkin. No one apparently knew at the time this was to be ND2's last show, and the cracking bill speaks optimistically about the prospects for all three acts. Los Campesinos! had just release a debut single and was weeks away from signing with Arts & Crafts. Notably, Gareth Campesinos! was an ND2 fan and championed the act's full-length upon Audio Antihero's release of same in 2009, giving the full length what was likely its biggest boost up until "The World" aired its piece a couple weeks ago. Much like We're Gonna Walk Around This City..., the live show recording was previously available -- at least back in 2007 -- as a free download on Last.FM, although, originally the opener "Colonel Parker" was omitted because the first few seconds weren't recorded. Audio Antihero has enlisted label signatory (and brilliant recording artist in his own right) Benjamin Shaw to remaster the live set, which is now available for free download right here. Considering the basic manner in which we expect this audience recording was made, the sound quality is quite good, and we highly recommend you acquire this important document of an amazing act. It includes tracks not present on Nosferatu D2's sole release (although completists will recognize certain of them from compilations released in recent years). Chief among these rarities is the taut rocker "Man At War With Himself," an unforgiving and desperate tune splattered by drums that abruptly halts well short of two minutes after hinting at a chorus that ends before it becomes obvious. It's a special song from a remarkable snapshot of a band taken from us before its time. Listen to "Man At War With Himself" via the embed below, then click through the get the entire eight-song set.

We Will Tell You These Things About Sky Larkin And Its New Album And Hey How About Some Songs

[PHOTO CREDIT: Liam Henry] We're certainly not breaking news here, especially since the record leaked earlier this month, but it is important to note that Leeds-based indie trio Sky Larkin will release next month its brilliant sophomore set Kaleide. The full-length is not to be confused with the free Kaleide EP the band released in May and is still offering for free download right here; the EP includes the title track, a demo version of the new tune "Spooktacular," and an acoustic version of "Matador," a standout track from Sky Larkin's 2009 full-length debut The Golden Spike.

Kaleide the album is packed front to back with wonderfully realized and deftly arranged guitar pop. The new set was produced by John Goodmanson, who also worked on Los Campesinos!' exceptional 2010 collection Romance Is Boring, and there is a heightened sophistication to Kaleide as far as the compositions and production are concerned that we expect is due at least in part to Mr. Goodmanson. The one-two punch of the opening cuts "Still Windmills" (to be released as a single in the UK August 2) and the title track is undeniable; we are embedding streams of both below. Wichita Recordings will release Kaleide Aug. 9 and you can pre-order it in any of six packings at Sky Larkin's web site right here.

Sky Larkin - Still Windmills

Sky Larkin - Kaleide

Today's Hotness: Swirlies, Johnny Foreigner

>> [PHOTO CREDIT: Brad Searles] So the big sold-out, Swirlies not-reunion show at the Middle East Upstairs Saturday was incredibly satisfying, although we were almost too tired to derive enjoyment from it. Clicky Clicky has been in Swirlies overload of late, and we didn't shoot any decent pictures Saturday night (well, early Sunday morning), so we are going to dispense with a proper review and simply say that we welcome the idea of a resuscitated Swirlies with open arms. Like Steve Perry. Anyhoo, our old-guyness aside, the band -- playing as a quintet for most of the evening -- was well rehearsed and easily made up for the aborted mid-'90s sets we witnessed with a whopping 90-minute marathon. The evening closed out with a ridiculous, crowd- and Kudgel-assisted version of Flipper's "Sex Bomb." At that point it was 1:30 in the morning. It was bonkers. Swirlies played many of our favorites, including -- in no particular order -- "Park The Car By The Side Of The Road," "Jeremy Parker" and "San Cristobal De Las Casas." While we were psyched by The Swirlies, we were also very jazzed by Bullpen Catcher, a trio featuring erstwhile Kudgel fronter Mark Erdody on guitar. The band offered a bracing mix of early Unwound and Superchunk sounds, and we're looking forward to learning more about the act. FatCat-signed acoustic songstress Gregory And The Hawk opened the show and we dug it slightly more than we dug their record, but even so we're not big fans -- although we enjoyed when Swirlies drummer/Mice Parade dood Adam Pierce came on stage for the last several numbers.

>> If you haven't checked in at KeepingSomeDarkSecrets since our announcement last week, you've missed a bit of news about possible new Johnny Foreigner songs. Our colleague Mr. Cotton here noted some new activity at the band's Google Maps-based psychogeography, and upon investigating turned up some 11 new locations added to the map in late January. Certain of these locations reference what we already know to be new (and in the case of "The Coast Was Always Clear," mind-blowingly excellent) songs from the Birmingham, England-based three piece. Still other locations reference what must be new compositions, still unheard by even the crack staff of KeepingSomeDarkSecrets. These include "Custom Scenes And The Parties That Make Them," "More Heart, Less Tongue" and "Temp. Promenade." Johnny Foreigner is only days away from commencing the recording of its sophomore full-length in Brooklyn, so we are hopeful that we'll be hearing these songs sooner rather than later. The band completes a European tour supporting Sky Larkin this week; the tour hits Zurich, Switzerland tonight.

Johnny Foreigner Is Aces -- New Demos Online For A Limited Time

Well, fans, your favorite Birmingham, England-based noise pop trio this evening put online for two weeks only something called Johnny Foreigner Is Aces (a sentiment we certainly won't argue). Johnny Foreigner Is Aces is not a proper release, but rather a .zip file with two tracks (pure .wav files! awesome!) and two desktop wallpaper images that the band is offering, as we said, for a limited time only. The first track is "Ghost The Festivals," which the band has been playing live for months and months. We think we prefer the live version (we're thinking of the one from New Slang last Nov., or the performance for Manchester's Channel M, specifically), but even so it is really solid -- the chorus in the demo is orchestrated slightly differently, but we expect it will grow on us. The more exciting cut is the second, "Ohai, Sentinels," which is apparently another of the band's catchy rants against the development and gentrification of their beloved hometown.

The two tunes were recorded and mixed by Sunset Cinema Club's Dom James at Bridge Studios Annex 2 and in Dom's new bedroom last month. According to the liners that came in the .zip the tunes are on a tour-only CD-R Johnny Foreigner will be selling at its shows for the foreseeable future, that apparently also contains three additional tracks "taken from our bootleg archive." Which brings us to a request -- if you get to a show on the band's upcoming tours with Sky Larkin and 100 Reasons and are flush with enough cash, please Please PLEASE buy two extra copies and then email us at the address in the sidebar. We've a mate in the UK who will receive shipment of same on our behalf, we'll totally pay you back, and we'll potentially set you up with some exclusive stuff in return related to a new super secret (for another week or so, anyway) Johnny Foreigner-related endeavor we've undertaken. Make it worth your while, yeh? Tour dates here.

Johnny Foreigner -- Johnny Foreigner Is Aces [zip file]
[right click and save as]