Showing posts with label Monkees. Show all posts
Showing posts with label Monkees. Show all posts

May 20, 2013

A N D I F O R G O T A L O N G T I M E A G O H O W Y O U F E E L : ten now acts perform selections from the early recordings of Lilys, 1991-1995

A N D  I  F O R G O T  A  L O N G  T I M E  H O W  Y O U  F E E L : ten now acts perform selections from the early recordings of Lilys, 1991-1995

[TL; DR: DOWNLOAD WAV, MP3, SOUNDCLOUD]

We suppose to begin at the beginning would be to report that in the summer of 1993 we were driving with the windows down one afternoon in Ardmore, PA, the radio was dialed to Princeton's WPRB, and then we first heard "Claire Hates Me" by Lilys. The tune is a rush of dense guitar and gently modulating melody with an impassioned vocal, so nice it was released twice: first as one side of a split 7" as part of Simple Machines Records terrific triple-7" box set Neapolitan Metropolitan, then as the closing track to Lilys' towering shoegaze classic, In The Presence Of Nothing, released in September 1992. The indelible lead guitar line of "Claire" was instantly mapped to our brain, and we remember literally singing it to our friend Justin later that same summer day, in an attempt to articulate just how inherently, objectively wonderful the song is. To our knowledge that day was our first exposure to Lilys, and the impression was deep and -- obviously -- lasting. "Claire Hates Me" remains our favorite song, and we write about In The Presence Of Nothing as often as we possibly can; we marked the record's 20th anniversary here.

So that would be the beginning for us as listeners and fans. And that is, we suppose, ultimately the first step on a path that leads us to this blog post, almost exactly 20 years later, that announces AND I FORGOT A LONG TIME AGO HOW YOU FEEL, the second digital comp to be issued by Clicky Clicky Music Blog in as many years. The collection features 10 now acts performing selections from the early recordings of Lilys, 1991-1995. Why parse off this first period of the legendarily mercurial band, the brainchild of itinerant musical savant Kurt Heasley, a band that is still a going concern today, that released a single just last fall, that is preparing perhaps as we speak for a highly anticipated, full-band performance at this year's Chickfactor 21 festival? Well, because we can, for starters, and a compilation needs to have a focal point, but also this is our favorite period of the band's work. Different web sites disagree as to whether Lilys sophomore full-length Eccsame The Photon Band was issued at the end of 1994 or the beginning of 1995, and at this point we suppose it doesn't matter. It is the album after that one, 1996's brilliant Better Can't Make Your Life Better, that presented the most stark transition of Lilys' twisting career, from shoegaze and space-pop to Monkees and Kinks-influenced mod-crazy guitar jams. So it is easy to draw a bright line at 1995. Which we did here for AND I FORGOT A LONG TIME AGO HOW YOU FEEL when we began canvassing bands to participate last year.

Oh right, the bands. We couldn't be more thrilled to include on this compilation some of our very favorite acts, Lilys fans all. One difference between last year's Ride tribute comp Nofuckingwhere and this Lilys comp is we did not limit our selection of acts to only those based in Boston. Boston, of course, is still represented by the mighty Soccer Mom, indie pop leading lights Cuffs, shoegaze phenoms Infinity Girl and indie punk giants Speedy Ortiz (who live in Northampton but feel like a Boston band, we think everyone will agree). But we're particularly proud of the non-Boston acts presented here on AND I FORGOT A LONG TIME AGO HOW YOU FEEL. There's old Clicky Clicky favorites Arc In Round (whose stunning version of "The Turtle Which Died Before Knowing" is the slowly swirling eye of the comp) and its Philly scenemates Pet Milk and The Weaks; Portland, OR-based indie pop heroes Lubec; Richmond dream pop titans White Laces; and one new act we're very excited about, Milk Pale, a collaboration between Clap Your Hands Say Yeah!'s Lee Sargent and Broken Social Scene's Justin Peroff. There's so much to say about the recordings these bands made that we'd have to double the length of this blog post to do it justice, and knowing how fickle blog readers can be, we'll skip that for now -- we'll be on WMBR's Pipeline! talking about the comp on May 28, so listen in for deeper analysis then. We would like to extend a special thanks (there are even more below) to Pet Milk for jumping in late in the game to ensure that Lilys' first single, "February Fourteenth," could take its rightful place at the top of the track listing.

All songs appear on the comp in the chronological (then numerical) order of their original release. Suffice it to say, the comp's line up is killer, the songs are all amazing, and we're endlessly grateful not just for the gift of the music that Kurt Heasley and Lilys have given to us all, but also for the time and energy all of the contributors gave to this project. There's more info about each contributing band and their recordings in the digital liner notes in the .zip file hyperlinked above and below, so giddyup. We've yakked long enough... Ladies and gentlemen, we are proud to present AND I FORGOT A LONG TIME AGO HOW YOU FEEL.

Click the appropriate link to download a .zip file that contains the 10 tracks as WAV, MP3, as well as a PDF containing the aforementioned digital liner notes created by friend-of-the-blog Matt Dressen. The comp is also on SOUNDCLOUD.

​​1. February Fourteenth -- Pet Milk *
2. Elizabeth Colour Wheel -- Cuffs +
3. Claire Hates Me -- Infinity Girl +
4. Ginger -- Soccer Mom #
5. YCJCYAQFTJ -- Lubec #
​6. Elsa -- The Weaks ^
​7. Day Of The Monkey -- Milkpale &
​8. The Turtle Which Died Before Knowing -- Arc In Round &
​9. The Hermit Crab -- Speedy Ortiz &
1​0​. Radiotricity -- White Laces &

* = released March 1991 as "February Fourteenth" b/w "Threw A Day" on Slumberland, DRYL-7
+ = released September 1992 on In The Presence Of Nothing, Slumberland SLR 20 / SpinART 2
# = released March 1994 on A Brief History Of Amazing Letdowns, SpinART 11
^ = recorded 1993 or 1994, released May 2000 on The Lilys / Aspera Ad Astra, Tiger Style TS-002
& = released January 1995 on Eccsame The Photon Band, SpinART 43

***

One final special thanks to the folks instrumental in helping Clicky Clicky pull all of this together, or offering support and encouragement of same: Eddie Charlton, William D. Scales, Matt Dressen, Jessica Thompson, Brad Searles, Michael Marotta, Joshua Pickering, Jeff Breeze and, of course, all of the bands. And a special shout out to Clicky Clicky Managing Editor Michael "Rock" Piantigini from Jay: I can't wait for you to hear this, man.

June 3, 2007

That Which Is Good: Stand-Out Stuff Found In Our Inbox

Night Of The Brain>> Super Collider's Cristian Vogel has formed a new band called Night Of The Brain, and the quartet will release its 10-song debut Wear This World Out, written and recorded in Barcelona, Tuesday. The teaser MP3 "The Theme" is very strong, a dreamy tune driven by a thumping bass line and draped with various computer-crafted textures. "The Theme" succeeds by remaining true to a hard-to-name but unsettled mood for four-and-a-half minutes, even as bassist Mike Hermann takes a bit of an odd solo or as drummer Cristobal Massis begins more urgently beating his crash cymbal at the song's close. Check it out.

Night Of The Brain -- "The Theme" -- Wear This World Out
[right click and save as; check out the video here]
[buy Wear This World Out from Kompakt-MP3 here, eventually]

>> We dug very much Foundry Field Recordings 2006 set Prompts/Miscues, particularly the wistful strummer "Buried Beneath The Winter Frames," so we were excited to see news of the band's next record. The Columbia, MO-based quartet's new EP Fallout Stations is termed a "companion piece" to Prompts/Miscues and includes both new tracks and rarities all relative to the concept of the 2006 collection (which we recall as being a Cold War/robots are going to get us kind of thing, although honestly it's been months since we've listened to it). Anyway, "Transistor Kids" is the preview track from Fallout Stations. It commences slowly with a long piano introduction, then snaps to attention with a beat, guitars and vocals that indeed make the track sound part and parcel of the earlier record. Fallout Stations streets Tuesday on Emergency Umbrella and the band plans to tour widely in July and August.

Foundry Field Recordings -- "Transistor Kids" -- Fallout Stations
[right click and save as]
[buy Fallout Stations for Newbury Comics here]

>> This album stream of the self-titled debut from Austin-based quintet Peel may be the nicest surprise of our spelunking trip into our virtual mail bin. It's dense and melodic and distorted and loud and has buried vocals and it sounds like 100 different hungry indie bands from 1994, cut with a healthy dose of millennial digital trickery. Wow, glancing at their press, that's pretty much what The Onion said about them, too. Anyway, people seem to want to call these guys post-Pavement, which we suppose is passable, but we'd argue that Peel offers more of a garagey Monkees-ish melodicism and Flaming Lips-esque thrash. And then later in the record they toss in a little AM Gold stuff as well. Peel isn't actually too far removed from excellent Oklahoma-based trio Evangelicals, now that we think about it. You would do well to check out the Peel below. The band goes on tour for a couple weeks beginning June 8, and given how solid their album is we think it's worth heading out to see them, so we're posting the dates, too. Alas, there's no Boston date, but this isn't all about us, is it? Peel's Peel was released on Peek-A-Boo April 2, and shouldn't be confused with the also excellent Coctails record Peel.

Peel -- "Oxford" -- Peel
Peel -- "In The City" -- Peel
[right click and save as]
[buy Peel from Newbury Comics here]

06/08 -- Denton, TX -- Hailey’s
06/09 -- Shreveport, LA -- Jackrabbit Lounge
06/10 -- Mobile, AL -- Cell Block
06/11 -- Birmingham, AL -- The Nick
06/12 -- Atlanta, GA -- Smith's Olde Bar
06/13 -- Wilmington, NC -- Bella Festa
06/14 -- Washington, DC -- The Black and the Red
06/15 -- Brooklyn, NY -- The Battering Room
06/16 -- New York, NY -- Piano's
06/17 -- New York, NY -- Piano's
06/20 -- Fort Wayne, IN -- The Firehouse
06/21 -- Chicago, IL -- The Darkroom

>> We liked very much this video preview of the forthcoming Montag set Going Places, which Carpark releases Tuesday. The video was apparently created in conjunction with Secret Mommy mastermind Andrew Dixon; longtime readers may recall we greatly enjoyed sampletronica project Secret Mommy's collection Very Rec and wrote about it here for Junkmedia a couple years ago. Going Places is Montrealer (or Vancouverite, depending on which sentence of his bio you believe) Antoine Bédard's third Montag record, and the collection contains input from notable indie luminaries including M83 and Amy Millan, among others. Bédard's blend of pastich and electropop is very enjoyable. The title track from the his new set is a romantic yearner that reminds us of a contemporary take on Yaz. "Best Boy Electric" is more upbeat, even jubilant, as if the narrator from "Going Places" has finally secured the reassurances he longs for so badly from the object of his affection. Again, the track sounds like Yaz or early, more innocent Depeche Mode.

Montag -- "Going Places" -- Going Places
Montag -- "Best Boy Electric" -- Going Places
[right click and save as]
[buy Going Places from Newbury Comics here]