Today's Hotness: Princess Reason, Ghost Outfit



>> Sometimes, Soundcloud really delivers. After all, without it we wouldn't have known about Princess Reason, a young and somewhat shadowy band from College Park, Maryland. The act's self-titled album, out now digitally and eventually on tape via Tricot Records, is a welcome breath of meditative, DIY pop. Not much can be gleaned about Princess Reason from the Interzizzles, but what little there is at the Tricot Records Web presence indicates that this is a group of friends unpretentiously offering a glimpse into its own aural, DIY reality. All product is presently made by hand, and most visual characterizations of the collective depict bookshelves, mixing station desks, and simple, clean visuals suggesting a bright, but decaying innocence. "We Are Splitting," one of the highlights of the Princess Reason release, commences with a picked, drop-tuned guitar figure that guides the singer's wandering melody through a rumination on the "little house we all share." With an ambient delay looped in the background, the song briefly pauses before doubling in volume for a more rambunctious passage that calls to mind the scratchy guitar work of early Modest Mouse, or the paralyzing melancholy of Brian McGrath's too-short-lived post-Wendyfix project Mantissa. "We Are Splitting" smolders to a single ember and then winks out; listeners can almost feel the cool wisps of air from the AC unit and the diminishing light coming through the blinds as the players push back from a shared, melancholy reverie and slowly regain their senses after another intimate bedroom catharsis. Grab this dreamy release for any amount desired at the Princess Reason Bandcamp right here; we've embedded "We Are Splitting" for your listening pleasure below. -- Edward Charlton



>> Industrial Britain: bleak, unforgiving and yet -- as history has shown for decades -- surprisingly inspiring. A steady thrum of clanging and droning acts sourced from gray, stiffening urban environs has sound-tracked the nation's musical comings and goings since a young Ian Curtis or Mark E. Smith first clutched microphones and gave voice to the disenfranchised. The tradition lives on in the music of Mancunians Ghost Outfit, a pair whose visceral sound is among the latest to have caught our ear. Ghost Outfit announced recently the pending release of a debut full-length titled I Want You To Destroy Me, due June 24 on Salford-based SWAYS Records. Singer/guitarist Jack Hardman, and drummer Mike Benson proffer a churning, thick, no-wave-indebted take on UK indie rock and noise-pop, and lead single "Killuhs" opens with repetitive string bends and colossal, destructive tom hits. When Mr. Hardman's pleading vocals edge in to the mix, the increasingly moody tune begins to echo the desperation of frayed and emotional contemporaries such as Scotland's We Were Promised Jetpacks, shoegazing Danes Heaviness and the Czech Republic's The Ecstasy of Saint Theresa. It's here, too, that one first gets a sense of the precise attention to detail the band employs, despite its minimal set-up. Marvel in the cross-channel dimensions of Hardman's guitar tone, or the foreboding, over-dubbed whisper that accompanies his voice ever so briefly shortly past the minute mark. Thereafter, he manages a brief, faraway holler, before the song engulfs him with an instrumental groove that carries it through to its conclusion, uncontainable distortion sparking off in all directions. Ghost Outfit perform with such fresh conviction, and it's apparent the two live and breathe despondent rhythms and a thorny, de-tuned fever, an ideal soundtrack to all that is crumbling and soon to be missed. This reviewer can't recommend this album enough; I Want You To Destroy Me is available for pre-order now as an LP or CD (an LP purchase rates a CD, download and 10" x 10" art insert, as well) via Ghost Outfit's Big Cartel page right here. Stream the dynamite track "Killuhs" via the embed below. -- Edward Charlton

Muxtape No. 7: Talked Myself To Sleep

[IMAGE: Kasimir Malevich "Landscape With Yellow House," courtesy Wikimedia Commons] We're back on the allergy medicine this week, so we are sort of floating in space, which we think this mix suggests. Which begs the question: why we didn't include anything from Spiritualized's Ladies And Gentlemen, We Are Floating In Space? Alas, hindsight is 20/20. Here is the link to our weekly Muxtape.

1. Frightened Rabbit -- "The Twist (Demo)"
(A kool kat out there in musicland sent us a bunch of demos that Frightened Rabbit had recorded for the excellent set The Midnight Organ Fight, which was released in April. Or was supposed to be issued in April, the date was pushed back, but we're fairly certain the record is finally out now. The band plays Great Scott in Boston Monday night, which normally would be an ideal time for us, but sadly the show conflicts with a visit from Clicky Clicky Mom, so we are going to pass as much as it pains us. We've already heard rumors of the band's return to town for another date, so we'll just have to redouble our efforts then. Anyway, about the demo: we love the little piano twitter laid over the thrumming rhythm.)

2. Mantissa -- "Modesto" -- Building A Working Model
(We wanted to include this jam here because there is a chord change in the chorus similar to one in the Frightened Rabbit tune. Also it is an under-rated track from an under-rated album made by one of the most recognizable singers in indie rock. Chicagoland indie rock fans may recall Brian McGrath's rasp from the excellent and similarly under-known trio Wendyfix. "Modesto" is not one of the "hits" from Working Model, but placed in a new context it is a surprisingly vital indie rock number.)

3. The Halo Benders -- "Bomb Shelter Part 1" -- Don't Tell Me Now
(Time was we thought this pairing of Beat Happening's Calvin Johnson and Built To Spill's Doug Martsch was too much of a clash. But Don't Tell Me Now collects so many irresistible tracks we've come back to it regularly over the last decade. As an added bonus, in the second chorus that woman with the heavenly voice from, ummm, Heavenly chimes in.)

4. The Royal We -- "All The Rage" -- Single
(Delicious single released last September from a Glaswegian septet whose story we think goes a little like this: band forms, agrees to break up after releasing a record, band garners fans with single and charisma, band releases record and breaks up, true to their word. This number has sass, pep and hand-claps to spare, and there is actually an entertaining video for it to which you can watch here).

5. Haywood -- "Come On Tell The Truth" -- We Are Amateurs, You And I
(One of the many fine moments recorded by Haywood Mach II on its first posthumous release. We remember one of the guys deeming this track as having the "classic Haywood" composition and vibe, and perhaps that's true. Although we don't hear any of the cute half-smiles in the lyric here that Mr. Pauly often uses to shade the emotion of a song. So in a sense this song is an unflinching hard stare at a disappointing situation. Which fits, considering the song's quiet demand for an answer.)

6. Swearing At Motorists -- "Being In Love"
(If memory serves, at one point Swearing At Motorists' Dave Doughman moved to Berlin, Germany and started recording songs in the Weinmeisterstrasse Ubahnhof rail station after it shut down for the night. And we have to believe that this track is a result of one such recording session (although the track wasn't on Exile On Gipsatrasse -- link), what with the amazing reverb and ambient noise. A fairly harrowing take on being consumed by love, but beautiful as well. Well, we just actually did the research and apparently the track is a cover of a song by Songs:Ohia and was issued on a comp. Who knew?)

7. Hurl -- "Dual Showman" -- "Madison Earful" single
(Devastating slowcore. Noisy bookends. Seems to recast the emotions of the Swearing At Motorists track as bold, quasi-Suprematist slashes of melody. Single released on My Pal God, one of the few labels that makes its vinyl singles from the '90s available digitally.)

8. Bottomless Pit -- "Human Out Of Me" -- Hammer Of The Gods
(The pop-and-lock layers of guitar and bass in "Dual Showman" suggested this number to us. Except there is an ease to the rhythm that injects substantially more levity into the proceedings. Bottomless Pit tours this summer and is about to released an EP titled Congress. The extended player will contain the tracks "Red Pen," "Fish Eyes," "Pitch" and "Angry Swan." It is available for pre-order now, will be issued digitally by Comedy Minus One June 1, and will be available on vinyl (with CD included) July 16 directly from the band. If you pre-order prior to June 1 you get the vinyl and CD and shipping for $9.50 total. More info here.)

9. Bloc Party -- "Like Eating Glass" -- Silent Alarm
(This one's a rocker, and we figured we needed to throw a rocker in right here.)

10. Slicker -- "FrustRache" -- The Latest
(Exquisite minimal electronic jam from the son of the guy who made all your favorite '80s movies. One of those records we first heard on the hi-fi at a record store (the erstwhile Harvard Square location of Other Music) and purchased on the spot. The Latest captured the zeitgeist of the times as far as electronic music goes, although we've never claimed to have more than a cursory mastery of what's going on in the scene. Recommended if you like Bruno Pronsato and vice versa.)

11. Benge -- "Eve's Escape Valve" -- Meme Tunes
(More minimal, yet more lush and with more melody. A good allergy medicine anthem. Again something in the rhythm and chimes suggested the next song to us.)

12. Althea And Donna -- "Uptown Top Ranking"
(A sunshiney pop reggae gem apparently cut by two teenage girls in the late '70s. The pair was the youngest duo to ever reach the top of the British pop charts, which they did in 1978. There seems to be a fair amount of disagreement about whether the one woman's name is spelled with an "i" or an "e," although this very informative Wikipedia entry claims that the dual spellings were a mistake that somehow didn't stop the record from charting.)

Today's Hotness: Say Hi, Wendyfix, Gang Of Four, Meneguar

>> Songwriter and hopeless romantic Eric Elbogen returns this month with his fifth record under the Say Hi To Your Mom moniker. Well, sort of... as we reported here last August, the band has truncated its name to the breezier Say Hi to correspond with the issue of the new set The Wishes And The Glitch Tuesday on the Euphobia label. Ever since the release of the sophomore set Numbers & Mumbles Say Hi could be counted on for one undeniable indie anthem. In 2004 that track was the minorly ubiquitous yearner "Let's Talk About Spaceships." In 2008, it's "Zero To Love." We admit some small concern that Elbogen might not keep his streak of undeniable tracks alive with The Wishes And The Glitch, because the first preview track floated, "Northwestern Girls," was certainly good but seemed to fall slightly shy of great. Well fear not, for the punchy, unsteady and hand-clap-arific "Zero To Love" leaves no doubt. Every time Elbogen sings "this new heart of mine" the whole room seems to bend, and we are surprised to detect for the first time a hint of Morrissey's peanut butter in Mr. Elbogen's chocolate. The Wishes And The Glitch is the first record Say Hi has released since moving from long-time home Brooklyn to Seattle, and the move seems to have facilitated the notable vocal contributions of David Bazan and The Long Winters' John Roderick on the record. Say Hi begins an extensive, six-week North American tour Feb. 16. The band plays Great Scott in Boston March 1, and we'll review the show, schedule-permitting.

Say Hi -- "Zero To Love" -- The Wishes And The Glitch
Say Hi To Your Mom -- "Let's Talk About Spaceships" -- Numbers & Mumbles
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[buy Say Hi records directly from the band here]

>> We've been getting an unusually great number of search hits recently for underfamed, Evanston, Ill.-based '90s indie rock trio Wendyfix, and we thought such interest presented a good opportunity to post the songs from the band's sole single. "Slow" b/w "Silence" was the maiden release of the Spade Kitty label, and it streeted in 1995. The band was fronted by Haywood's Ted Pauly, who we write about here often (and who, incidentally, is also a proponent of Say Hi), and Brian McGrath, who we'd certainly like to write about more; McGrath's (presumably most recent) project Mantissa released a very nice full-length in 2003 [review here] and we've heard nothing from him since. Anyway, Mr. Pauly sings the single's A-side, an urgently sad confessional ("OK, this one's for your birthday, I was wrong...") that bristles with hooks. McGrath's monolithic "Silence" on the flip gradually builds to a cathartic climax during which mostly inaudible vocals finally break through the guitar fuzz. Both songs are posted below. A quick search of the Internets reveals that Spade Kitty continues to conduct business and even launched a new web site a couple years ago. Mr. Pauly, as regular readers know, continues to churn out high-quality music as a solo artist. We failed to mentioned Wendyfix drummer Todd Hyman, who continues to operate labels including the wonderfully eclectic Carpark (Beach House, Ecstatic Sunshine, Montag). There is a very good profile of Carpark and Mr. Hyman here at Terrorbird.

Wendyfix -- "Slow" -- "Slow" b/w "Silence" [SK-001]
Wendyfix -- "Silence" -- "Slow" b/w "Silence" [SK-001]
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[the newest iteration of the Spade Kitty site doesn't sell this. Try Ebay?]

>> There's an interesting fact buried in this Billboard story about reborn post-punk legends Gang Of Four's efforts at creating its first new music in 15 years. Four paragraphs down the piece imparts that original Gang Of Four drummer Hugo Burnham -- who we believe has taught in Boston for many years -- is not involved in tracking for the recording sessions due to an undisclosed health issue. Bassist Dave Allen tells Billboard "Hugo's still involved in some ways, but it's a very personal issue that will be discussed at a later date." Allen has been regularly releasing demo songs via his blog Pampelmoose, and we must admit not noticing any change in drumming. Despite releasing the re-envisioned hits collection of sorts Return The Gift on V2 in 2005 [buy it here for $9], Gang Of Four is currently without a label deal. The band plans to experiment with different distribution ideas, telling Billboard "[w]e might be releasing the first single or four songs for free on the Internet, or on vinyl, or both, and just see what the marketplace is like."

>> We're grateful to blog Raven Sings The Blues for sussing out here what exactly is up with the new Meneguar song "Some Other Life," and the FuckItTapes releases. We're still not clear on is whether the Tone Banks releases were the recordings the band said last year would be released as one-sided 12" on Woodsist. But either way, there's new music, it sounds great, and that excites us. We'd seen the song and visited the FuckIt site a week or two ago, but we couldn't dig up anything definitive about what is going on. We're also not sure whether the new Meneguar tune "Fields Of Gaffney," also available at the band's MySpace drive-thru, is an actual cover of a song by the eccentric two-time bassist of Sebadoh whose solo project had the same name, or if it is an homage of sorts. Either way, it is one of the most interesting Meneguar recordings ever. The biggest question is, will there be a proper vinyl or CD issue of these new tracks? Meneguar's Strangers In Our House topped our list of favorite records of 2007, which you can review here. Finally, the Brooklyn-based quartet has two live dates on the books for March, one in its hometown and the other at the fabled Terrace Club at Princeton University. Hit the MySpace link supra for more info.