Showing posts with label The Dismemberment Plan. Show all posts
Showing posts with label The Dismemberment Plan. Show all posts

March 6, 2013

Today's Hotness: Johnny Foreigner, Popstrangers, Oval

Johnny Foreigner destroy Boston, Nov. 7, 2012

>> Birmingham, England-based indie demigods Johnny Foreigner let loose a torrent of good news Tuesday at its webtumblrthingo, where it reported working on no fewer than three (!!!) new releases. According to this blog post, the quartet is prepared to self-release imminently via its BigCartel what it is calling a "mini album + photo set thing." Proceeds from the sale of the collection will apparently go to paying increased rent on the band's rehearsal space, which we think is an admirable goal. In June the band plans to release a new EP via its longtime UK label home Alcopop! Records that they've "pretty much written aleady" (no word whether the release will also be issued domestically by Johnny Foreigner's U.S. label home, Swerp). At the very tail end of the post, the band (probably Lex writing, yeh) states it has "this grand lazy arc of a plan that culminates in us releasing a CD at the end of the year like it's 1998 or something." 1998, we'll point out for no reason whatsoever, is the year that Interscope put out The Dismemberment Plan's The Ice Of Boston EP. Taken all together, Johnny Foreigner has just issued a colossal amount of good news. The band's summer festival schedule is already shaping up (Handmade, Now We Are, Y Not, ArcTangent, we're sure there will be others) and there is a very curious reference to Malta. What? Yes, Malta. Which Wikipedia tells us is an archipelago in the center of the Mediterranean east of Tunisia and south of Sicily. We here at Clicky Clicky can only hope that Johnny Foreigner intends to go to Malta to do something like this, although we have no idea what Malta is like, perhaps there's no place suitable for filming a self-indulgent concert film of psychedelic noodling. WE DON'T KNOW. Anyway, there's a few other tidbits of edutainment in the blog post, read the whole thing via the link supra. Needless to say, we are incredibly excited by this turn of events. How about some old songs to celebrate?





>> Remember Auckland, New Zealand's Popstrangers and their upcoming album of rich, noisy guitar pop? We highlighted the album's bright, undeniable preview track "Heaven" right here in October. Press for the trio's now-released long-player Antipodes (Carpark) is uniformly positive, and it is easy to hear why based on the album stream premiered by Popmatters a couple weeks back. Interestingly, as great as "Heaven" is, listeners will quickly grasp that the preview track was not the most representative indicator of the band's tone and demeanor. Unexpectedly, tunes on the balance of the record including "Full Fat," "404," opener "Jane" evidence a harder and darker band switched into full-on attack mode. This is emphasized by the follow-up single "What Else Could They Do," which turns on a thick, grungy riff that slams and sparkles with a 3-D distortion that the Kiwis very likely encountered on, well, every Butch Vig-produced album worth its salt. Elsewhere, Unwound-esque detuned guitars bleakly propel songs like the chilling "In Some Ways" and "Cat's Eyes," indicating that Popstrangers are as comfortable interpreting the aural idioms of '90s post-hardcore and math-rock as the threesome is with the celebrated dream-pop revival currently in swing. And so the brilliant Antipodes situates Popstrangers among those inspired by -- or hell, even still making -- the sounds of the mid-'90s, such as Sydney, Australia's brilliant and slept-on Line Drawings or the widely-cheered Cloud Nothings. With Antipodes, Popstrangers earn kudos for distilling the disparate influences of a surprisingly wide range of acts into some very catchy and curious numbers. You can stream Antipodes via the Soundcloud embed below; buy the record from Carpark right here. -- Edward Charlton



>> We tip our figurative hat to TinyMixTapes, who seem to be the only one with the very exciting news that Thrill Jockey will reissue Oval's mind-blowing 1996 sophomore set 94Diskont on vinyl for Record Store Day. After a mild and relatively unsatisfying flirtation with trance music in the early/mid-'90s, we were struck by 94Diskont like a bolt from the blue: where the trance we were listening to seemed sterile and limp, Oval's collection sounded like it was coming from 10 years in the future. The glorious centerpiece of the set is the epic-length dreamer "Do While," which some kind soul very helpfully uploaded to YouTube for you to listen to -- all 24 minutes of it. This year's Record Store Day reissue of 94Diskont is a double LP that features remixes of "Do While" created by such luminaries as Jim O'Rourke, Scanner, Mouse On Mars and Christian Vogel. Read the full details at TMT right here. Now, where are you going to get this stuff once April 20, 2013 rolls around? Well, fortunately for you, the Record Store Day web dojo has a store locator dealie right on the home page. Will the dealy tell you which stores will have the 94Diskont and its companion piece Systemisch, which is being reissued the same day? Doesn't look like it. But perhaps you can hit up the Thrill Jockey Twitter and they'll point you in the right direction. You want that.

November 1, 2010

Review: Johnny Foreigner | You Thought You Saw A Shooting Star But Yr Eyes Were Blurred With Tears And That Lighthouse Can Be Pretty Deceiving...

Johnny Foreigner's guitarist and primary songwriter Alexei Berrow in September summed up the Birmingham, England-based noise pop titans' forthcoming, six-track EP as containing the loudest and quietest songs it has ever recorded. This may be true, but Mr. Berrow's mild description minimizes the completely enveloping moods the music evokes, downplays the exciting developments in songwriting captured in the collection, and only hints at the aural and stylistic variety of You Thought You Saw A Shooting Star But Yr Eyes Were Blurred With Tears And That Lighthouse Can Be Pretty Deceiving With The Sky So Clear And Sea So Calm. The second half of "The Wind And The Weathervanes" is towering and anthemic and atmospheric, weaving together feedback, strings and crashing percussion. The aggressive "Who Needs Comment Boxes When You've Got Knives" points affirmatively in the direction of scene contemporaries Calories as well as hardcore legends Texas Is The Reason. The beautiful, droning closer "Yr Loved" flickers futilely, like a candle drowning in a pool of its own wax, and recalls earlier Smog. "Elegy For Post-Teenage Living (Parts 1 and 2)" is two different songs sewn together, opening as a familiar Johnny Foreigner guitar pop anthem but ending as a light, Dismemberment Plan-referencing dance pop nodder.

Despite Berrow's assertion here in September that the release lacks a theme, the lyrics persistently reflect narratives about letting go and trying to move on (or, pretending to let go and pretending to try to move on). While it perhaps incorrectly posits linearly chronological songwriting, the theme fits nicely, actually, at the end of the sequence comprised by Johnny Foreigner's two full-length recordings: Waited Up Til It Was Light was generally about Birmingham, and Grace And The Bigger Picture was generally about being away from Birmingham and the personal joys and fractures that result. You Thought You Saw... would seem to more closely examine the fractures and contextualize them in a world that has kept going in spite of it all.

It says something about the unchecked creativity and prolificness of Johnny Foreigner that the EP (which at one point carried the working title There When You Need It) doesn't contain what are arguably the best tracks it has released this year to date: the stunning demo version of "With Who, Who And What I've Got" has been freely available for download since May, and the bottomlessly poignant "199x" was given to only the couple dozen fans who ordered plush ghosts as part of the Exorcism Project. That the threesome didn't feel the need to include the two as-yet-unalbumed tracks on the EP underscores that Johnny Foreigner continues to somehow perfect more songs than it has the time and energy to market via what is the (largely dying) traditional music business model. And there is still more unalbumed songs waiting in the wings: fans who submit photos for use as part of the unique, crowdsourced sleeve art for the EP will receive a download code for the track "JFNV" (according to the band "it's pronounced nihonjin no tame no yakei"). Two more tracks grace a split single with labelmates Stagecoach; Alcopop is already taking orders for the single here, and it contains Johnny Foreigner's new "True Punx" and the band's cover of Stagecoach's "45."

Alcopop releases You Thought You Saw A Shooting Star But Yr Eyes Were Blurred With Tears And That Lighthouse Can Be Pretty Deceiving With The Sky So Clear And Sea So Calm as a 12" later this month, but the collection has been available for weeks via digital music storefronts serving North America in an effort to capitalize on Johnny Foreigner's just-ended tour here supporting incendiary Cardiff collective Los Campesinos!

[buy the EP from EMusic | ITunes]

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