Showing posts with label Manhattan Love Suicides. Show all posts
Showing posts with label Manhattan Love Suicides. Show all posts

October 10, 2014

Today's Hotness: The Cherry Wave, The Manhattan Love Suicides, Weird Womb

The Cherry Wave -- Whitey single, detail, transform

>> Glaswegian shoegaze demigods The Cherry Wave this week fired a shot across the bow, issuing to the wilds of the Interzizzles the first preview track from its sure-to-be world-eating debut LP Avalancher. The set is slated for release in November, and the new tune culled from it, "Whitey," has us amply excited. When we last checked in with the quartet in August, all that we knew about the forthcoming LP was that it will close with a nine-minute epic titled "Fuzzthrower." "Whitey," by contrast, is compact, kinetic and markedly tuneful. The song evidences that The Cherry Wave seems to have struck an admirable balance in its aural mix: while tunes from its prior EPs often featured crushing walls of guitar, the guitars in "Whitey" are relatively reigned in, allowing room for crisp drumming and steady, impressionistic vocals to find equal footing in the stereo field. The overall effect recalls somewhat the work of North American contemporaries Ringo Deathstarr, with whom, coincidentally, The Cherry Wave played a show late in the summer. Almost abruptly as it starts, "Whitey" winks out. Stream the tune via the Bandcamp embed below, and click through to download the track in exchange for a dollar amount of your choosing. As we said in August during Show Us Yours 21, we expect Avalancher to hit and hit hard, so if you are not yet versed in the wonders of the Wave, now's the time to get into it. Bring on November.



>> Too often we have turned on to bands just as they are about to toss themselves into a pile of mothballs, and only very rarely have we experienced the thrill of getting one of those bands back. The band's original run was from 2006 to 2009, and a scan of the CC archives suggests we turned onto them about a year before they called it a day. So last week's expected announcement about the forthcoming reunion record from The Manhattan Love Suicides was quite a thrill. The Leeds-based foursome's comeback LP is titled More Heat! More Panic!, and its preview track "(Never Stop) Hating You" is a sure bet to inspire some of each, with its JAMC-inspired guitar cacaphony and candy-coated singing delivering an arresting blend of noise and melody. More Heat! More Panic! is a co-release of brilliant London label Odd Box Records and veteran U.K. label Squirrel Records, which we believe is run by Darren Lockwood and Caroline McChrystal of Manhattan Love Suicides. A limited number of red vinyl+t-shirt bundles alotted to Odd Box sold out in just a day when they went on offer earlier this week, but the Internet tells us that Squirrel still has a couple. Otherwise, a larger number of black vinyl+t-shirt and digital+t-shirt bundles -- as well as simple straight black vinyl or download options -- remain available for pre-order. The release date for More Heat! More Panic! is presently listed at the Odd Box Bandcamp as 26 January 2015, which is a terribly distant date. While away some of the hours in between by streaming "(Never Stop) Hating You" via the Bandcamp embed below.



>> Is there no half- or dim-witted publication out there that won't ridiculously assert that garage rock has "returned?" We find it hard to believe that we've actually progressed so far, as a culture, that this hasn't happened more recently, since it seemed like an almost annual occurrence during the first five years or so of this young century. We don't give any credence to such an assertion, of course: long-time readers know well our position, that there is always excellent garage rock happening (or polka, or trance, or string quartets, et cetera), one just needs to seek it out. But with the recent successes of the widely touted Parquet Courts, L.A.'s Meatbodies, Baltimore's Second Best Westerns and now Weird Womb, we're pleasantly surprised some neophyte -- or, more likely, dozens of neophytes all stealing furtive glances at each other and texting together but not actually talking because real life is scary -- isn't declaring garage rock is "back." Weird Womb's Laziness EP, which was issued by the Boston- and New York-based indie Midriff Records late last month, certainly packs enough beery bashing and blunt-force hooks to legitimately excite the sensibilities of any rock fan. The Brooklyn-based and Arizona-bred foursome's six-song set shakes with a fun, wholly unpretentious energy for almost 16 entire minutes, then it ends because fuck you. The massive EP highlight "Luxury Punks" hits hard with a three-chord assault punctuated by fronter Dakota Pollock's slacker hollering, which sounds always at the verge of an slippery, universe-unlocking, last-call-fueled revelation. Weird Womb play a hotly anticipated local show at Great Scott in Boston Oct. 27, on a bill top-lined by The Wytches; the band has a number of other dates lined up presently, that will lead the band on an unsteady march out to Lexington, KY and back for a pair of obligatory CMJ shows. Midriff released Weird Womb's Laziness EP Sept. 23 on vinyl and digital download, both of which can be ordered directly from the Midriff High Command right here. Try before you buy? Why, sure you can -- the entirety of Laziness is posted to Soundcloud and can be streamed via the embed below. Sounds great right now, will sound even better at the bottom of a 30-pack of Genny Red cans at 3AM on a Sunday morning; choose wisely.



October 27, 2013

Today's Hotness: The Fireworks, Krill, Pile

The Fireworks'

>> London-based fuzz-pop upstarts The Fireworks execute very well on a simple formula, and its forthcoming sophomore single "Runaround" b/w "With My Heart" and "Asleep" situates the band in the noble sonic company of like-minded noisemakers spread across almost four decades, from Buzzcocks to The Manhattan Love Suicides. The straightforward concept should not dilute anyone's excitement about what's happening here. The quartet's A-side is amped up and distortion drenched, as over-driven guitar chords and a persistent snare cadence drive the song relentlessly forward. The final thirty seconds touts a sparkling lead guitar over top the heavily concentrated, cotton-candy strumming, as singers Emma Hall and Matthew's voices alternately proffer words and dreamy ahhs that push "Runaround" to a delightful close. It's a brilliant track, and shows a lot of promise for the two-year-old indie pop concern that traces its genesis to Matthew singing certain of his songs over the telephone to friends. "Runaround" b/w "With My Heart" and "Asleep" will be released in the U.S. by Shelflife Records Nov. 26; the single is on offer in a limited edition of 300 pieces, including 100 red vinyl circles and 200 black, and pre-orders are already being taken right here. The Portland, Ore.-based label previously issued The Fireworks' debut, a self-titled EP, in March in a limited edition of 300 pieces, and the band apparently sold out of their stock after a well-received appearance at the Indietracks festival in the Derbyshire countryside last summer. Blast off into the coming week by streaming "Runaround" early and often via the Soundcloud embed below.



>> Exploding In Sound Records disclosed this week that it has signed Boston bugcore outliers Krill, and will release a forthcoming EP from the trio in early 2014. It's a fairly unsurprising move, given the success both Krill and the label have had in 2013, and because we expect many people assumed the band was already signed to the label in the first place. Krill already enjoys a tight camaraderie with the other acts Exploding In Sound's roster, and this is underscored by the aforementioned forthcoming EP. It is titled Steve Hears Pile In Malden And Bursts Into Tears, and it is a concept release that tells the story of two characters from the Pile song "Steve's Mouth." According to Exploding In Sound's announcement about the signing and the release, "[t]he journey begins when Steve and Mouth become aware they are in a Pile song and things get weird, wonderful, and wild from there." Steve Hears Pile In Malden And Bursts Into Tears will be released on vinyl and as a digital download; no word whether the band will also release it on a thumb drive lodged in a ball of cheese. As of yet, we don't have any music to share from the planned Krill EP, but we'll be certain to share it when we do. In the meantime, there are some notable live dates coming up for Krill, including Nov. 22 at TT The Bear's in Cambridge (with Pile, Porches and Summer People) and Dec. 7 in Plymouth, Mass. for the big Ash Gray Proclamation Toys For Tots benefit show. We reviewed Krill's transcendent sophomore LP Lucky Leaves right here in July, and you can stream it via the embed below.



>> Speaking of Pile, the band went out on tour this weekend, opening their two-week foray down and up the east coast with back-to-back dates in Philly. The tour goes as far south as Gainesville, where Pile will play at The Fest. After that tour is in the history books, the Boston-based grunge heroes travel back to Philadelphia to record an EP at the Sex Dungeon in Philadelphia, the studio responsible for Pile's 2012 LP Dripping and Speedy Ortiz' Sports EP (which is about to be re-pressed by EIS, according to the label), among other recordings. The planned EP will also be released by Exploding In Sound, and -- based on an email from Pile this week -- will probably be released as a 7" in January. Unless that 7" is some other thing, in which case, WOOT, two Pile releases coming! But we think the EP mentioned in one email is the same thing as the 7" mentioned in the other email. And fear not far-flung rock fans: Pile is already planning a March tour down to the annual South By Southwest music and technology confabulation in Austin, Texas with Speedy Ortiz. We wrote about Pile and Dripping a year ago for the late, great Boston Phoenix right here. Take a listen to "Steve's Mouth" from Dripping via the Bandcamp embed below.

January 20, 2010

Today's Hotness: Red Pens, Calories, The Labor Daze

red_pens_630
>> Delightful Minneapolis-based noise pop duo Red Pens have it, and they are about to share it, and it is great. The act's full-length debut Reasons has a high anthem quotient and is packed with fizzing pop songs constructed out of drums, guitar and vocals. And then the whole shebang is swathed in dense, "Sister Ray"-ish fuzz. And while using The Velvet Underground as a reference point these days has sort of lost all meaning (ditto for Sonic Youth and The Beatles: virtually meaningless, people), it isn't entirely off-base either. Red Pens' limited personnel -- the band is guitarist and lead vocalist Howard W. Hamilton III and drummer Laura Bennett -- imbues its songs with the sort of primitive vibe of certain Velvets material. A fleshy embrace of grimy distortion, smart vocals and blissful melodies also recalls The Manhattan Love Suicides, for those of you hip to the now sadly defunct Leeds noiseniks. Album opener "Hung Out" is a clear winner, and we're sharing the track below. We also highly recommend the brooder "Weekends," which is slotted midway through the record and touts a big dynamic chorus. Reasons will be issued by Grain Belt Records Feb. 18; it appears the set was previously released in one form or another Sept. 15, 2009.

Red Pens -- "Hung Out" -- Reasons
[right click and save as]
[buy Reasons from Grain Belt Records right here]

>> A helpful commenter points us to pre-order information for the forthcoming split single from Calories and William, which is slated for release Feb. 8. As big Calories fans, and as especially big fans of the Birmingham, England indie rock trio's tune "Drink The Potion," it is their side of the single we are primarily excited about. In addition to "Drink The Potion," Calories' plane also includes the track "Mortal Boys;" William's tunes are "Dilettante" and "Lustreless." The split is being issued by Tough Love in a limited edition of 500, and it is apparently the label's second in a series of double A-sided singles. According to the Piccadilly Records pre-order page for the single, William apparently sounds like 1/3 D. Boon, 1/3 straightedge and 1/3 Stinson brothers, which sounds incredibly enticing to us. Pre-order the single here.

>> Peppy, North Jersey-based indie foursome The Labor Daze is the latest act to send us a surprisingly good unsolicited submission. The band's five song Laika EP overcomes opaque production with solid songwriting somewhat reminiscent of the now sadly defunct, Michigan-based indie pop geniuses Rain Is Wet. Laika succeeds with its earlier, scritchier tunes "Introduction" and "Whitebread Standard," but slumps a bit when The Labor Daze delves into the heavier riffage elsewhere. It's probably too early in the band's career for it to have fixed on a signature sound, so it is anybody's guess whether the lighter pop will triumph over the cockier material in the long run; more optimistically, perhaps The Labor Daze will find an exciting way to meld the two. No matter, there are some nice moments on the EP, and the entire thing can be downloaded via a link at the band's MySpace dojo. We're posting "Whitebread Standard" below.

The Labor Daze -- "Whitebread Standard" -- Laika EP
[.M4A file; right click and save as]
[download the entire EP via the band's MySpace]

September 23, 2008

Today's Hotness: Manhattan Love Suicides, This Town Needs Guns

The Manhattan Love Suicides -- Burnt Out Landscapes
>> When we last checked in on British noise-pop dynamos The Manhattan Love Suicides here in April, the Leeds-based foursome had just issued its Clusterf*ck 7" EP. And at the time we advised folks to watch EMusic and wait for the four songs to show up in the handy MP3 format, because digitizing vinyl is wicked frustrating, yeh. After that we forgot all about the EP until today, when a MySpace alert notifified us that the band had just uploaded a new track from a recently issued compilation titled Burnt Out Landscapes. The compilation -- which was issued by Magic Marker June 2 or Aug. 12, depending on which release date you choose to believe -- is available at EMusic right here, and better still it appears to include all the cuts from Clusterf*ck. All told, Burnt Out Landscapes features 27 tracks including radio sessions and alternate versions including the divine cut collection-closer "Life In Vain." The Manhattan Love Suicides are giving away one of the tracks, "Heat And Panic," for free at its MySpace longhouse. We'll save you the trip and post it below, but definitely hit the link to EMusic to grab Burnt Out Landscapes, because the dozen tracks we've heard so far (damn EMusic account doesn't roll over for another five days) are entirely compelling.

The Manhattan Love Suicides -- "Heat And Panic" -- Burnt Out Landscapes
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[buy Manhattan Love Suicides music from EMusic right here]

>> Time was Pink Floyd's Animals was our favorite record. We were probably 12. We can't remember the year exactly, but we can recall a family vacation to Florida and having to share a double bed with an older brother who did not fully appreciate the awesome air guitar we were unleashing before falling asleep at night with the aforementioned record blasting into our skull via a third- or fourth-generation cassette Walkman. Anyway, this paragraph is not about that record. It's about the Oxford, England quartet This Town Needs Guns, which releases its own record titled Animals in the UK Oct. 13. The set, which we think is the first full-length release from the quartet, contains 13 tracks named after various mammals (and a crocodile, and possibly a marsupial). Faithful readers may recall we posted the track "Baboon" right here in July. The label Big Scary Monsters has made available a second preview MP3 titled "Chinchilla." The cut bolsters our appreciation of the band, which incorporates the exciting guitar work of erstwhile American indie acts American Football and Owls into its own sturdy modern emo framework. "Chinchilla" also touts a punchy drum beat in the verse that seems to constantly threaten to slip off the beat. It's a very enjoyable way to spend four minutes, and we highly recommend this track.

This Town Needs Guns -- "Chinchilla" -- Animals
[right click and save as]
[pre-order Animals from Big Scary Monsters right here]

>> Matablog has posted here the tracklist and cover art for the recently announced Belle And Sebastian compilation The BBC Sessions, which will be released by Matador Nov. 18. The set features two discs, the first concatenating BBC radio sessions recorded during the bands "golden age" (in our opinion), 1996-2001. The second disc, dubbed Live In Belfast, contains selections from a December 2001 live date in the nominal city. Personal favorites are strongly represented, with "Seymour Stein," "Sleep The Clock Around" and "Like Dylan In The Movies" appearing on the first disc, and the devastating "The Model" and "The Boy With The Arab Strap" appearing on the second disc. Matablog promises more information and some preview MP3s, so we'll keep our eyes peeled. And maybe we'll watch that Belle And Sebastian DVD from five or six years ago again soon.

April 5, 2008

Today's Hotness: She, Sir, Deadbeat, The Radishes

She, Sir
>> [UPDATED: See End Of First Paragraph] If this photo (not the one above) is legitimate -- and we have no reason to believe otherwise -- then superlative Texas shoegazers She, Sir must have recently recorded a live session for Internet radio streamer WOXY.com. This is terrifically exciting because the band released in 2006 a seven-song set, Who Can't Say Yes, that was a flawless concoction of sounds made famous (to us, anyway) by Ride and Lilys. As we reported here in January, She, Sir has been working on a new record titled Go Guitars with the assistance of producer Erik Wofford (Explosions In The Sky, Voxtrot). We inspected the WOXY Lounge Acts page and there is no indication of when the She, Sir session will be posted, but we'll keep our eyes on it. In other news, the band reports at its web site that it has been auditioning candidates to serve as a permanent rhythm section, replacing a rotating cast of players. Hopefully the move to a permanent lineup will result in some East Coast touring. In the meantime, enjoy the stellar lead track from Who Can't Say Yes. Update: so it turns out the picture linked above was in fact old, and the She, Sir WOXY session was recorded last year. We've added a direct link to an MP3 of the session below, and we're downloading it now to hear it.

She, Sir -- "I Love You, Blowtorch Eyes" -- Who Can't Say Yes
She, Sir -- 2007 WOXY Session
[right click and save as]
[buy Who Can't Say Yes from the band here]

>> We went to EMusic the other night to check out the newly acquired Rolling Stones offerings (oh how we love the live sets Get Yer Ya-Yas Out and Got Live If You Want It) and got sidetracked by the presence on the main page of a newish single from dub-influenced electronic music producer Deadbeat. We've had a thing for the Montreal-based act (actually one dood, Scott Monteith) ever since reviewing the set Something Borrowed, Something Blue for Junkmedia back in March 2004 [review here]. While the single "Eastward On To Mecca" was released by Wagon Repair/Zebralution, we associate Deadbeat with Stefan Betke's ~scape label, which has also released a number of Deadbeat recordings. It is interesting to note that while Betke's Pole project left us cold after the introduction of rapping into a series of EPs in 2005 (and the full-length Steingarten never completely fired our imagination, either), Deadbeat has stuck closer to the dub-influenced sounds that have been one of the more prominent hallmarks of the ~scape catalogue, and thus Deadbeat has also continued to move us with its grooves. If you are a fan, we highly recommend grabbing "Eastward On To Mecca" from EMusic here.

>> The title track to The Manhattan Love Suicides' recently issued, limited edition 7" EP Clusterf*ck is now streaming at Leeds-based Squirrel Records' MySpace cabin here. The band sounds even more like erstwhile Slumberland Records noise merchants Henry's Dress than ever before, and that is a good thing. The Manhattan Love Suicides' EP has four tracks in all, including "Detroit Diesel," "Burning Wire" and "Heat And Panic." So the obvious question now is, "will anybody sell me this thing as MP3s?" Well, let's have a look. Nope. But we bet if you watch EMusic it will eventually pop up here.

>> Readers may recall we reported here that L.A.-based rockers The Radishes would be giving away their forthcoming Strychnine EP for free prior to its April 15 release. Well the band has made good. Hit this link to download four straightforward hard rockers from the quartet. The title track seems to betray a love of taut, sludgy mid-'80s stoner metal, and the tune features a guitar solo courtesy of former MC-5 man Wayne Kramer. The set also includes a slow-burning psyched out cover of the John Lennon cut, "I Found Out," which the deceased Beatle issued on his John Lennon/Plastic Ono Band LP in 1970. We ranted about The Radishes blistering rocker "Hook Me Up" here in November.

>> We were curious about references made to the band Lump when we saw pop-punkers Varsity Drag earlier this year [review], and after corresponding with Lisa Drag and poking around on the Interweb we got turned onto the recently resuscitated '90s indie rockers. For all the guitar distortion and '90s nostalgia you're looking for, look no further than this recently posted video for Lump's rocker "Thirteen." The clip was apparently cobbled together by film students during the band's heyday in and around Lump's Fitchburg, Mass. stomping grounds.