Showing posts with label The Primitives. Show all posts
Showing posts with label The Primitives. Show all posts

November 1, 2012

Today's Hotness: Endless Jags, Parakeet, Dot Dash, Soccer Mom

Endless Jags -- Endless Jags

>> It's taken for granted at this point, to the extent that anyone really talks about it anymore. But the best part about music blogging is the band that randomly emails you, that says "check us out," and that is totally awesome. It might happen two or three times a year. The last one that blew us away was our beloved Infinity Girl (who, of course, next week will open Clicky Clicky Music Blog's Community Servings benefit show at Great Scott in Boston). But last month brought another, Portland, Maine-based indie rock upstarts Endless Jags. The sextet self-released a self-titled EP Oct. 16, and it is packed with dynamic, emo-tinged guitar pop driven by fronter Oscar Romero's impassioned vocals and overdriven by big melodies. The short set was recorded in part and mixed by Shaun Curran at Napoleon Complex in Somerville, Mass. Trivia hounds will recognize that studio as the same that produced Clicky Clicky favorites Soccer Mom's brilliant debut single and towering 2011 EP You Are Not Going To Heaven. Pegging Endless Jags' sound causes one to grasp in a lot of different directions: there's the care-free energy and care-full emotion of the music echoes that of Mock Orange's stellar First EP; the Farfisa that colors large portions of Endless Jags has not been so brilliantly deployed in indie rock since Rocketship's mind-erasingly good A Certain Smile, A Certain Sadness; Mr. Romero's voice is not unlike that of The Walkmen's Hamilton Leithauser. But it is the combination of these elements that makes the EP so potent, from the big crescendoes in opener "Seen Men" to the careening eponymous tune "Endless Jags." We can't wait to hear more from these guys: Endless Jags is a hit!



>> Parakeet, the side project of Yuck bassist Mariko Doi, last week quietly unleashed to the wilds of the Internet a stream of a new EP titled Shonen Hearts. If our minimal understanding of Japanese remains intact, we think "shonen" means "boy," so make of the title what you will. The music on the collection is delightfully smeared and grungy guitar pop. The lead track "Tuomono" layers rich, gritty guitar and bass over a simple rhythm and creates giddy forward movement by overlaying punchy melodies. The title track is a blissful confection that recalls The Primitives. The rest of the collection similarly pits noise against pop; it's not overtly Yuck-y, but there is an element of obviousness and inevitability that makes Shonen Hearts a rewarding listen. The London-based trio's short set is due Nov. 19 as a limited edition gold (we assume gold-colored, not, like actual gold) cassette available exclusively from Rough Trade in the UK. Pre-order Shonen Hearts right here, right now. Parakeet over the weekend played two UK shows with The Walkmen (there's that band name again...); the trio embarks on a short strand of tour dates Nov. 11 with the hotly tipped Diiv, which tour includes stops in Berlin and Cologne in Germany, Kortrijk, Belgium and two dates in London. Parakeet debuted with a single in April, "Tomorrow" b/w "Paper, Scissors, Stone," that we wrote about right here.



>> We've slept on it for weeks ands weeks, but the forever-solid Terry Banks and his band of merry indie veterans in Dot Dash returned last month with a cracking sophomore set, Winter Garden Light, that we've been spending a good deal of time enjoying. Yeah, the title sounds like an installment in the Dragonlance fantasy franchise, but we assure you: this is a very fine collection of indie pop tunes from a coterie of top-shelf scene veterans of bands including Julie Ocean, The Saturday People, Tree Fort Angst, Modest Proposal and legit hardcore legends Youth Brigade. Mr. Banks, et al., craft quality guitar-pop tunes that plant one foot in the future whilst dangling the other in the band's collective college rock past. And like Wire, from whose song Dot Dash takes their name, the D.C.-based act's approach is simple: each tune is an astutely realized nugget of punky songwriting relying on a few chords, aggressive bass work, and swoon-inducing backing vocals. "Writing On The Wall," a stand-out cut from Winter Garden Light, commences with an arresting bass descent paired with Banks' pleasant power-pop patter. Trebly, slapping rhythm guitar follows the vocal, as Banks peels off anthemic lines that penetrate your head like "a penny for your thoughts, my kingdom for a horse." The song closes with perfect snare rolls and a great guitar breakdown evidencing the band's tasteful deployment of delay and minor keys. Winter Garden Light is available now from The Beautiful Music label. -- Edward Charlton



>> Avid readers will recall that a month ago we wrote about the crushing forthcoming single from Clicky Clicky faves Soccer Mom. At the time we could tell you about "Brides" b/w "Canoe," but we weren't able to share any music with you. That's just no way to leave things. So fortunately we're now able to share with you a stream of "A Canoe Shy" (that's the full title of the tune, yeah) below. The song highlights the Boston quartet's dense, punishing guitar attack, features one of founder Dan Parlin's most affecting vocal melodies, and is also notable for being the first official 'Mom release featuring Mr. Justin Kehoe pounding the skins and hardware. As we said last month, Soccer Mom plays a very hot bill Monday at Great Scott in Boston, an evening that features the hotly tipped Tamaryn and west coast shoegaze luminaries Young Prisms. "Brides" b/w "Canoe" will be released by 100m Records the following day, and you can pre-order your copy right here if you aren't able to get to the show to buy one straight from the band.

May 4, 2011

Review: Ringo Deathstarr | Colour Trip

Every review of Ringo Deathstarr's dynamite, long-awaited full-length debut Colour Trip could reasonably begin and end with a discussion of the positively terrific dream-pop gem "Kaleidoscope." The crumbling guitars in the verse, the simple cascading guitar lead in the snare-spangled, heart-rendingly beautiful chorus, the pacing and brevity all make the track among the best released by anyone this year. Fronter and guitarist Elliot Frazier's airy vocals here -- and on another standout track on the new collection, "Day Dreamy" -- recall some of the Austin, Texas-based trio's earliest demos, specifically the paralyzingly great "Your Town" and "Sweet Girl." But mostly it is the elements listed supra that make Ringo Deathstarr one of the most formidable indie rock acts of the new millennium.

Listeners will find that the English spelling of the first word of the album title is, of course, no accident. Colour Trip -- thronged with should-be hits, and well worth the long, long wait since the release of the band's debut EP in 2007 -- lovingly borrows from and recreates the sounds of the best late '80s and early '90s UK dreampop and shoegaze. We honestly believe we saw band fronter Elliot Frazier recently and amusingly quip somewhere (it's killing us that we can't find the exact quote again, and Mr. Frazier doesn't recall saying it) in response to a review that his band wasn't re-creating the sounds of 1992, it was pretending 1992 never happened. Or something to the extent. The point is well-taken. What if the ascendancy of RIDE and Slowdive and Chapterhouse and My Bloody Valentine (and to a lesser extent, similarly minded American acts Drop Nineteens and The Swirlies) had gone unchecked? What if American music had not smashed its head on the punk rock and drastically reshaped itself around the sounds of Seattle and Lollapalooza, but instead followed to The Stone Roses and RIDE to a completely different musical valhalla?

Ringo Deathstarr's new collection is thronged with songs that would have been hits in that but-for world. "So High," for example bounces with the energy of the greatest Primitives tunes. But while Ringo Deathstarr is known for hearing loss-inducing and chaotic live sets, the crystalline and balanced production on Colour Trip tempers somewhat the act's characteristic attack (which, of course, deliciously invites listening to Colour Trip at ear-bleeding levels -- recommended). There is still plenty of wonderful, wonderful guitar, however: the acid-rock lead at the tail end of "Chloe" leaps from the dense ocean of fuzz bass and guitar chords and recalls the best freak-outs of The Magic Hour.

We've been writing about the Deathstarr since February 2007, but only in March did Sonic Unyon finally issue the act's first full-length record. Most bands we follow don't even stay together for four years; the fact that it took Ringo Deathstarr that long to craft an LP is a testament to something, although we haven't figured out what yet. Awesomeness? The power of positive thinking? Drugs? The band wasn't just sitting around doing nothing all that time, of course. An earlier EP was issued and reissued in various countries, and a series of singles also filled the gap. According to a Facebook posting or Tweet, which we also can't find (what is our problem?), Ringo Deathstarr has been working on an "un-summery" summer EP. Completion of that new release will have to take a back seat to a whole lot of live dates, which the band has just recently begun announcing. Ringo Deathstarr play with local luminaries Young Adults at Great Scott, Boston on July 2.

Ringo Deathstarr: Internerds | Facebook | YouTube | SoundCloud

Ringo Deathstarr - Imagine Hearts by Club AC30

Previous Ringo Deathstarr Coverage:
YouTube Rodeo: Ringo Deathstarr's "Kaleidoscope"
YouTube Rodeo: Ringo Deathstarr's "So High"
YouTube Rodeo: Ringo Deathstarr's "Imagine Hearts"
Today's Hotness: Ringo Deathstarr
Ringo Deathstarr Will Storm Japan, U.K., Issue "You Don't Listen" Single
Ringo Deathstarr "In Love" b/w "Summertime" Due 9/14
Today's Hotness: Ringo Deathstarr
Today's Hotness: Ringo Deathstarr
Clicky Clicky Music Blog: The Best Records Of 2007