Review: Bedroom Eyes | Honeysuckle

Standard bearers for unyielding, big-guitar shoegaze in Boston would seem to be hard to come by these days, with many of the genre's key regional proponents shutting down, migrating elsewhere, or mutating. The newer school of Boston 'gaze is tempered with pastoral passages, post-rock dynamics and more distinctly American production aesthetics, and the richly melodic, guitar-drenched sound purveyed by now-resuscitated legends RIDE and My Bloody Valentine would seem to have somewhat fallen out of favor. However, that all changes next week, when Bedroom Eyes return with a commanding sophomore set. The Boston foursome's new long-player Honeysuckle -- its first in three years -- places Bedroom Eyes at the vanguard of the city's big-guitar scene, poised for a breakout into the broader American underground on the strength of its moody, sonically aggressive and vividly rendered songs.

Honeysuckle is intoxicating, and its uptempo material particularly so. Buzz-sawing album highlight "Plain Heir" hits like a tsunami of swirling, bending guitars, with deep reverbs elevating the drums and characteristically smeared vocals in the mix. Similarly powerful is "Gypsy," whose churning, distorted guitars and breakneck pace are all blitzkrieg and no ebb. That pacing and surprisingly compact compositions establish a tension with the richness of Honeysuckle's arrangements and production, and this tension is at the core of what makes the set so entrancing. The effect is amplified by the fluidity between tracks; while the album doesn't quite have a continuous mix, songs flow and breathe into each other. Indeed, Honeysuckle employs two beautiful interstitial instrumental compositions to link key tracks like so much edgeless watercolor. First, the arpreggio-led, narcotic revery "(Highsummer)" ties the aforementioned "Plain Heir" to the pretty, mid-tempo anthem "Wild Sins," a tune whose thunderous choruses are set off by dreamy passages of layered guitar leads. The final third of the record is unstoppable; there the interstitial "(Deepwinter)" is sandwiched by the fiery, indefatigable belter "Lorraine" and the tremendous closing title track, which alternates between glimmering verses that call and shuddering choruses that respond.

Part of the narrative pushed with Honeysuckle is that the collection represents a "painstaking reworking" of the Bedroom Eyes sound. Nonetheless, it is striking how our review of the band's spine-tingling 2012 debut could very well apply to the new set. All of the visceral guitars, spectral vocals, saturated emotion and crackling energy the band presented on What Are You Wrong With persist here. Perhaps the production is where the foursome's game feels most stepped-up, particularly the vocal treatments, and a sonic wholeness across the record achieved by a honey-dripping, sub-aquatic ambiance. Despite its familiar building blocks, the new record by any metric is a distinct step forward. Sure, Honeysuckle arrives in the wake of a lineup change and an earlier scrapped LP session, but the painstaking reworking would seem to have rebuilt a reliable foundation, not reconfigure the band's sonic DNA. Whatever; the results speak for themselves.

Honeysuckle is a towering collection, a masterstroke, and so we are very pleased to premiere for you today the entire album via the Soundcloud embed below. Midnight Werewolf Records will release Honeysuckle in a limited edition of 100 cassettes Nov. 24, and the label is already taking pre-orders right here. The release is the first in a series of three cassettes that the label will issue over consecutive months featuring Boston acts (subsequent tapes feature Charles and Pleasure Gap). Honeysuckle will also be available on CD, and the band has already been selling it at shows. Bedroom Eyes just wrapped a short strand of live dates that took it as far south as Richmond; the band's next area show is Dec. 5 at Firebrand Saints in Cambridge, Mass. with Burglary Years, Summer of Aden and Babydriver. Bedroom Eyes also performs the following week with Porches at UNH in Durham, NH, and you can read more about that right here.

Bedroom Eyes: Bandcamp | Facebook



Previous Bedroom Eyes Coverage:
Today's Hotness: Bedroom Eyes
Review: Bedroom Eyes | What Are You Wrong With
Bedroom Eyes Record Release Show With Sneeze, Lube, Kal Marks And Big Mess | O'Brien's | 9 July
Clicky Clicky Music Presents... N O F U C K I N G W H E R E : 11 Boston Bands Perform Ride's 1990 Album
Young Adults, BDRM Eyes, Chandeliers and The Living City | The Box Fort, Allston Rock City | Jan. 28
Today's Hotness: BDRM Eyes

Review: Bedroom Eyes | What Are You Wrong With

Dense, bending chords, drifting vocals and desperate rhythms drive the terrific recent long-player from Boston shoegaze luminaries Bedroom Eyes. The collection, self-released by the quartet July 9, entices with its big melodies, superfuzzed guitars and bass and healthy blasts of feedback and static. All of which make What Are You Wrong With the record we've waited a long time to hear a Boston band make, a kind of golden mean between Dinosaur Jr's Bug and My Bloody Valentine's Isn't Anything. And despite only recently locating the second half of the band to the city and having a very short life span to date, Bedroom Eyes' biting blend of shoegaze and punk is presently among the most intense and captivating in the Boston underground.

The buzz-sawing verses of opener and album highlight "Garmonbozia" pump fuzz-bass sunshine under radiant, shimmering guitars, each verse building to a glorious cacophony in the chorus. As with the entire album, everything is limned with a rich sonic grit. Indeed, What Are You Wrong With succeeds as much because of its rough edges as it does for its uncannily memorable melodies. All sounds are gratifyingly loud and sent to tape that way, allowing the music to smash up against the stereo field in a manner that approximates both the listener being "there" live, caught in the swirl, and one of the more memorable moments of "Kentucky Fried Movie" (for a young teen-aged boy, anyway). The production allows the recordings to shudder with a barely contained energy, bringing to bear Bedroom Eyes' Allston basement show cred in a deliciously visceral way.

Even before it released this long-player, it was already a big year for Bedroom Eyes. The band was named the best underground act in New Hampshire, even when half its members had already made the jump to Boston. What the cognoscenti knew was there was no reason to expect a let-down, as Bedroom Eyes had already unleashed on an eager public of early adopters a tantalizing clutch of excellent demos and compilation tracks, including iterations of "Big Boo," "Soggy," and a thrilling cover of Ride's "In A Different Place" on Clicky Clicky's Nofuckingwhere compilation (still available for free download here).

What Are You Wrong With strongly delivers on the promise of those early tracks, while offering new insights into the rapidly rising band. Songs such as "Weak Back" and "Dissipate" evidence Bedroom Eyes allowing itself to work odd grooves and explore sound and space outside the constraints of verse-chorus-verse inevitability. The blunt-force of the wall of guitar and desperate rhythmic intensity of the former track builds and then breaks down, settling into a quiet lumbering groove of fuzz bass and edgeless feedback that provides perhaps the most satisfying and beautifully pure moments on the record. "Touch Of Sap" has verses that sway and bend, and a pummelling chorus that recalls scene-legends Swirlies. What Are You Wrong With has no filler, just lots of killer. Buy it on CD or as a digital download via the Bandcamp embed below. As we reported here last month, the foursome is already at work on a follow-up, an EP to be released on cassette; we'll keep you posted.

Bedroom Eyes: Tumblaaaaah | Facebook | Bandcamp

New Music Night DJ Sets | River Gods | 26/27 January

Here are the songs we played whilst manning the figurative decks last night in the booth at the fabulous River Gods in Cambridge, Massachusetts. Avail yourself of all the relevant linkage; if you have any questions or want to know more, hit us on Twitter or drop a comment. We'll create a Spotify playlist of all the songs we played last night shortly and post a link right here [Edit: HERE IT IS]. Also, please click over to Bradley's Almanac and check out Brad's playlists for the 9PM and 11PM hours, they will move you, and tons of free music to boot.

Set Two/Jay -- 10PM

1. David Newton & Thee Almighty Angels -- "Paint The Town" -- Paint The Town EP
[listen / buy]
2. Lubec -- "You're A Good Idea" -- Rip Tide 7"
[listen / buy]
3. School of Seven Bells -- "The Night" -- Ghostory
[download / pre-order]
4. Night Fruit -- "Dark Horse" -- Dark Horse EP
[blogged / listen / buy]
5. The Big Sleep -- "Ace" -- Nature Experiments
[listen / pre-order]
6. The Blue Dress -- "My Deth Ray" -- These Happy Golden Years EP
[blogged / listen / buy]
7. Satellite Stories -- "Blame The Fireworks" -- Blame The Fireworks single
[blogged / listen / buy]
8. Amity Beach -- "You'll Never Hear That Sound" -- Amity Beach single
[blogged / listen / buy]
9. Earthquake Party! -- "Pretty Little Hand" -- Vs. Pizza cassette
[blogged / download for free / buy Vs. Pizza]
10. Ringo Deathstarr -- "Sailin' On" -- Bad Brains cover, for Esme
[listen / donate to help Esme Barrera's family; Ms. Barrera was murdered Jan. 1]
11. Ovlov -- "The City" -- What's So Great About The City? EP
[listen / name-your-price]
12. Chandeliers -- "Age Sex Location (rough mix)" -- digital single
[blogged / download for free]
13. BDRM Eyes -- "Soggy" -- What Are You Wrong With EP
[listen / buy]
14. White Laces -- "Dissolve Into Color" -- Split 7" with Arches
[blogged / listen / buy]
15. Work Drugs -- "Rolling In The Deep (Adele cover)" -- digital single
[listen / download]
16. The xx -- "Open Eyes (Demo)"
[listen / download link seems to be dead but maybe it'll come back? like Shane?]

Set 4/Jay -- 12AM

1. Occurrence -- "You, Me And Everyone We Know Will Die" -- The Apocalypse Is Postponed
[listen / buy]
2. Johnny Foreigner -- "If I'm The Most Famous (Robot) Boy You've Fucked, Then Honey Yr In (Robot) Trouble" -- You vs. Everything EP
[blogged / listen / buy]

Young Adults, BDRM Eyes, Chandeliers and The Living City | The Box Fort, Allston Rock City | Jan. 28

While you weren't looking, this coming Saturday night has become totally bonkers, as Clicky Clicky faves are playing out all over the map. There's Night Fruit at the Cambridge YWCA, Guillermo Sexo at the Middle East, and Grass Is Green at O'Brien's Pub as part of Berfest, just to name a few. Hot shows all, but we don't think you'll get more bang for your tango anywhere else other than at the stellar show arranged by the lads in rising noise-pop concern Chandeliers. The trio will perform Saturday night at the Box Fort house in Allston as part of a cataclysmic bill featuring ambient punk heroes Young Adults, rising starrgazers BDRM Eyes and potent emo newcomers The Living City. The show is said to be kicking off early, as early as 8PM, so an enterprising show-goer could potentially make the house party scene on the early and still have time to head to one of those aforementioned venues to see action from those aforementioned acts. We'll be doing a little preview of the big, big show tomorrow night at River Gods, where we plan to include new songs from Chandeliers, BDRM Eyes and The Living City in our DJ sets as part of New Music Night (we as yet don't have any new material to showcase from Young Adults). The Facebook Event page for New Music Night has all the details, check it out.

Chandeliers has just released to the wilds of the Interzizzles a two-song sampler of new jams, "Age Sex Location" and "First Base (At The Model)," which you can stream via the Bandcamp embed below. The first track is an uptempo, dark and stormy rocker that will be familiar to fans. "First Base (At The Model)" is another bracing tune, this one sounds like a nightmare version of Buffalo Tom's "Mountains Of Your Head." Which, of course, means you need to hear it right now. Check the streams below.

Today's Hotness: Dananananaykroyd, BDRM Eyes, Bonjour

>> We've been remiss in noting the recently announced break-up of Glaswegian fight pop heroes Dananananaykroyd. The sextet announced last week here it will disband next month after a short farewell tour. The act released the best music of its career earlier this year on the self-released tour de force There Is A Way. Dananananaykroyd will release a final digital single for the barn-burner "Think And Feel" Nov. 7, and its final gig will be in Newcastle, UK on Nov. 12, the final date of a 12-city farewell tour the band is staging. We reviewed There Is A Way right here in July, and in the meantime we greatly enjoyed this Vice web series about the band. We've embedded the video "Black Wax," a standout track from Dananananaykroyd's 2009 full-length debut Hey Everyone! on Best Before, so watch it one more time and think about awesomeness. Dudes seriously did it their way. So long Dana, and thanks for all the rock. Stream There Is A Way via the Soundcloud embed below. Loudly.

Dananananaykroyd - There Is A Way

>> We are in receipt of a particularly hot recommendation from Chris of Young Adults, who last month turned us on to the apparently Southern New Hampshire-based shoegaze upstarts BDRM Eyes. As best as we can tell the quartet has recorded two sets of demos, the more recent of which is at least three songs recorded in early summer at Dead Air Studios in Western Massachusetts. All three of the more recent tracks -- "Big Boo," "Dilution" and "Garmonbozia" -- can be downloaded for free at BDRM Eyes' Bandcamp right here. And we highly recommend you do that, because BDRM Eyes is onto something. Perhaps not something completely new -- at least not yet -- but it is nonetheless quite tasty: big gritty guitars, big melodies, weighty rhythms and impressionistic vocals. We can only imagine what BDRM Eyes could turn out with unlimited resources in the studio. But as it is, all of the latest songs, and particularly "Big Boo," would not sound out of place at all on the absolutely classic 1993 Ten-Cent Fix compilation from Jiffy Boy Records, for example, wedged between Ultra Cindy and China Pig. And that's darn good company. We look forward to learning more about the band and hopefully seeing them sometime soon. Do yourself a favor and stream "Big Boo" below.



>> Another great recommendation came from Johnny Foreigner, who posted this Bandcamp link to a new release by Philadelphia-based emo luminaries Bonjour. The two bands shared a bill during a rare American appearance by Johnny Foreigner, which apparently made quite an impression on the Johnny Foreigner kids. And now Bonjour has finally released some music in the form of its new Motivational Suicide EP. The collection of high-energy guitar pop is available at the aforementioned Bandcamp on a paywhutchalike basis, and the four songs are "I Tried It, I Liked It," "Trenton Makes The World Baked" (which closes with an appropriated bit of chorus from Modern English's "Melt With You" that is somehow even more catchy than the original), "Many Things Are Destroying Me" and "Football Hero." Sinewy guitar leads, shouty sing-along vocals, and bashing percussion means there's a lot to like here. According to this mysterious-seeming tumblr, Bonjour features (former? we don't know!) members of Dangerous Ponies, Airports, Storm The Bastille, Boy Problems, Pirouette, The Sniffles and Harrison Bergeron, none of whom we've heard, but we're certainly a bit interested too now. As with BDRM Eyes above, we look forward to seeing and hearing more from these guys. Hottt with three t's, as we think you'll agree when you stream "I Tried It, I Liked It" and the rest below.