Showing posts with label The New Highway Hymnal. Show all posts
Showing posts with label The New Highway Hymnal. Show all posts

August 28, 2013

Summer Fades Featuring The New Highway Hymnal, Eldridge Rodriguez, Slowdim | New World Tavern, Plymouth | 1 Sept.

Summer Fades Featuring The New Highway Hymnal, Eldridge Rodriguez, Slowdim | New World Tavern, Plymouth | 1 Sept.

Sure, the last thing we need now is a reminder that summer will leave us, as she always leaves us, packing her stuff into the station wagon, pointing her pony tail north and her car south, and heading out of town. But leave it to our bloggers-in-arms over at The Ash Gray Proclamation to turn the annual indignity into a cause for celebration, an excuse to bring -- for what may be the very first time -- an indie rock show to a place called the New World Tavern in Plymouth, Mass., a tavern which, based on a glance at Google Maps, is pretty much a stone's throw from where this blog's executive editor's umpteen-times-over grandfather bumbled his way into establishing a colony. But that's all ancient history -- the important thing is rock 'n' roll music, and the AGP is bringing that in spades Sunday. We are given to understand the event kicks off with a world premiere of Dark Spring, the terrific, forthcoming full-length from Boston psych-rock veterans Guillermo Sexo. We've heard the record, it slays, you'll want to make sure you get thee to Plymouth to hear it (especially the epic one-two punch of the songs "Carried A Golden Heart" and "Meow Metal"). Thereafter, there will be sets of rock music from a trio of leading Boston rock acts: power-pop champs Slowdim; noise-pop goliaths Eldridge Rodriguez and acid-groove lords The New Highway Hymnal. All of this kicks off early, AGP helmer Bryan Hamill told us last week, with the album premiere beginning around 7PM, so you'll need to find a shirt and your car keys late that afternoon in order to make the scene at a useful hour. All the details are at this Facebook event page.

What of these bands, you may be wondering? Well, topliners The New Highway Hymnal are very close to dropping a new single if these two Facebook updates (1, 2) are to be believed, and the trio has been steadily gigging around town all summer. We touched base with Eldridge Rodriguez for an update, and he told us -- among other things -- that he and his present band (Midriff New York honcho Clayton Keiber, and brothers Dennis and Dave Grabowski) are at work on a new record that will feature "tons of noise, tons of pop." The band will help kick off the week-long TT The Bear's 40th anniversary celebration next month, to boot. We also checked in with Paul Sentz from Slowdim for the latest and greatest. His band delivered a long-awaited, self-titled debut long-player at the front-end of the year [review], a record packed with big ideas and bigger hooks. These days, according to Mr. Sentz, Slowdim is developing new material for a potential EP, and is chewing over an idea for a new slower, washed out take on the album cut "Wishing Well" that will hopefully be realized soon. All of the above suggests to us Sunday night in Plymouth is going to be a winner. So come on, come help AGP chase the season out of town... until next year.





April 8, 2013

Rock Over Boston: Rock and Roll Rumble, Night 1


[Night one of the 2013 Boston Rock and Roll Rumble. Photos by Michael Piantigini.]

We can all look to Boston's Rock 'n' Roll Rumble for a reminder of why we participate in music - and particularly local music - in the ways that we do. Whether we're playing music, DJing, writing about music, or just making rock clubs our second home, that impulse to share and share in the music that moves us is what gets us off the couch on a Sunday night (on Mad Men season premier night, no less) and connect with not only the sticky floors of our feedback-filled dreams, but friends and sounds old and new.

But the Rumble belongs to the bands. All of them. Winners and not-winners. I again had the honor of participating as a judge, and it was no less difficult than last year to have only one winner. The somewhat understated The Okay Win opened the night with their solid, engaging indie sound that doesn't beat you over the head with their 3 guitars; Cancer Killing Gemini swung for the fences with an aggressive, driving assault by a rhythm section that will not be denied; and Velah's slow-burning, finely-crafted pop made a convincing case to close it all out; but, just before that, New Highway Hymnal had one of those sets that just got down to business and never looked back through deep psych waves of reverb cut through only by saturated, pulsing bass lines and drums that swung. Their no-nonsense hit-and-run took the night (Haverhill represent!) and to celebrate you can grab their most recent album, Whispers, for free (name-your-price) right over here.

And this was just the beginning. Still five more nights of preliminaries to go, all of it at TT The Bear's, a Boston rock institution in its own right. See you out there:


Monday, April 8:
9:00 Endation
9:45 The Deep North
10:30 Herra Terra
11:15 Camden

Tuesday, April 9:
9:00 Eddie Japan
9:45 Supermachine
10:30 Glenn Yoder and the Western States
11:15 Blackbutton

Thursday, April 11:
9:30 Mount Peru
10:15 Whitcomb
11:00 Lifestyle
11:45 Twin Berlin

Friday, April 12:
9:30 Coyote Kolb
10:15 The Field Effect
11:00 The Suicide Dolls
11:45 White Dynomite

Saturday, April 13:
9:30 Parks
10:15 Jack Burton vs. David Lo Pan
11:00 Ruby Rose Fox
11:45 The Daily Pravda

Thursday, April 18:
Semifinals

Friday, April 19:
Semifinals

Friday, April 26:
Finals


- Michael Piantigini

New Highway Hymnal: Bandcamp | Facebook | Twitter | Tumblr
Velah: Intertubes | Bandcamp | Facebook | Twitter
Cancer Killing Gemini: Intertubes | Bandcamp | Facebook | Twitter
The Okay Win: Intertubes | Bandcamp | Facebook | Twitter

Rock 'n' Roll Rumble: Intertubes | Facebook | Twitter
Boston Emissions: Intertubes | Facebook | Twitter
Rumble history: Wikipedia

March 5, 2013

New Highway Hymnal, Speedy Ortiz, Kestrels, Soccer Mom | Radio | 8 March

The New Highway Hymnal with Speedy Ortiz, Kestrels and Soccer Mom at Radio, March 8, 2013

Allston Pudding has partnered with Kevin Hoskins' Rogue booking concern to make a strong move into the 02143 Friday night via a dome-denting bill at Radio in Union Square top-lined by Boston psych-punk luminaries The New Highway Hymnal. The evening commences with a performance by Soccer Mom, an act for which Clicky Clicky readers need no introduction. Assuming the building remains habitable after that opening set, Canadian indie-punk trio Kestrels -- the pride of Halifax, Nova Scotia -- will perform should-be-hits from its tremendous 2012 long-player A Ghost History (Sonic Unyon). Although we'd be happy if they just played "Brindle," a mid-album cut from that sophomore collection, over and over and over. As it turns out, Friday night is not only the first date of New Highway Hymnal's tour, but also Kestrels' own early spring perambulation. Indeed, the Canadians play with Soccer Mom once again in New York on Sunday, and on Tuesday night with Clicky Clicky faves Golden Gurls in Baltimore, before drawing a bead on Austin and the annual SXSW music, tech and blah blah blah confab.

Rounding out Friday's bill is Speedy Ortiz, the rapidly rising and itinerant quartet who spend so much time in Boston-area clubs it is almost ridiculous that they are based out of Northampton. Almost. As it happens, Speedy Ortiz's show is the first of seven it will perform this month, and next month the quartet heads off to MacRock in Harrisonburg, VA, a show that is but one of about a dozen contemplated April live dates -- and then hopefully the band will get around to releasing its hotly anticipated debut long-player. Based on all this touring it would seem the indie rock business is booming, and of course we couldn't be more pleased. The Hymnal are coming off their selection earlier this week for the annual Rock 'n' Roll Rumble, a decades-old battle of the bands dealy here in Boston, and earlier tonight the trio recorded a live radio session for WMBR's legendary Pipeline! radio program. We know: all of the above was a lot of information for you to deal with all at once. So here's the important takeaway: get your bad self to Radio Friday night. It's the right thing to do, and the right way to do it. Here's the Facebook event; now how about some songs?

Stream / download The New Highway Hymnal live on Pipeline! right here.





December 6, 2012

That Was The Show That Was: Infinity Girl EP Release Show With New Highway Hymnal, Speedy Ortiz and Soccer Mom | TT The Bear's | 5 Dec.



In what seems to be a trend in Boston of late, Wednesday night at TT The Bear's featured a killer lineup worthy of a weekend slot. The occasion was an EP release show for Boston shoegaze quartet Infinity Girl's new Just Like Lovers EP [review]. It was an espcially important show for the band, as its future is presently up in the air, with at least half of the band soon to take up residency outside of Boston's friendly confines. The bill also featured crackling sets from scenemates Soccer Mom, grungy post-punk from Northampton's Speedy Ortiz and Boston-based The New Highway Hymnal's narcotic psych-blues.

Soccer Mom opened the show a little after 9 with a set that included unrecorded material, both "sides" of the foursome's recent digital single, and selections from the band's killer 2011 EP You Are Not Going To Heaven. While their music certainly doesn't shy away from heavy use of noise, it's worth noting that Soccer Mom are particularly loud live. Dan Parlin and William Scales' guitars and their attendant feedback regularly collide and then cut out, leaving an opening for vocals to penetrate the live mix. The 'Mom's newer songs retain the chaotic atmosphere of their older material. The foursome ended its set with songs from their digital single "Brides" b/w "A Canoe Shy;" the latter track and its soaring chorus was particularly impressive.

Speedy Ortiz jumped right into a slew of new songs slated to appear on the band's planned full-length debut; the quartet finished recording the set with Justin Pizzoferrato at his studio Sonelab in Easthampton, Mass. just last week, according to fronter and guitarist Sadie Dupuis. She noted from the stage that certain of the songs in the set were being given their live debut last night. These new tunes fit well within the band's established sound -- sarcastic, awkward verses that give way to big choruses punctuated by dynamic blasts of feedback and heavy drum fills. Speedy Ortiz's lone selection from this year's excellent Sports EP was "Silver Spring," and the live iteration -- complete with a song-ending noise section -- was a highlight of the band's remarkably tight and engaging set. The set closed with a new number touting an extended outro which provided the band an opportunity to nearly destroy their equipment as they ran mic stands and pedals up against their guitars. Wednesday's show is apparently Speedy's last in Boston for a while; the band soon embarks on a short tour with notable Western, Mass. resident Thurston Moore.

Infinity Girl released its triumphant Just Like Lovers EP just past midnight Wednesday morning, but even so it opened its powerful performance with "Please Forget," its typical opening number and a highlight of their full-length debut Stop Being On My Side [review]. Gear issues plagued the opening number, as Mitch Stewart’s bass died almost immediately. Fortunately, Darl from Speedy Ortiz stepped up with a loaner bass and the show went on. Infinity Girl played selections from both Side and Lovers after announcing from the stage that the show was in fact their last for a while, and the set felt like a sort of farewell by the end. The quartet closed with an earth-shaking, nine-minute version of Stop Being On My Side's "Cannons." In its final minutes the song shed its languid groove and climaxed into a titanic cavalcade of noise and feedback, with drummer Sebastian Modak driving the tempo faster and faster as Mr. Stewart stabbed at his bass and fronter Nolan Eley pogoed as he exorcised feedback from his guitar, ultimately sliding his guitar back and forth across the stage by its strap. The players embraced after the cacaphony subsided.

The New Highway Hymnal had the unenviable task of following that set, but made short work of seizing the crowd's attention with its focused, harrowing live renderings of songs from the recently released long-player Whispers. Between the hypnotic groove of the trio's formidable rhythm section, fronter Hadden Stemp's possessed stage persona and spine-tingling yelps, and the shifting psychedelic light show, The New Highway Hymnal was able to skillfully transport the crowd at TT's with its dark, hip-shaking tunes. -- Dillon Riley, Correspondent







December 4, 2012

Review: Infinity Girl | Just Like Lovers EP

[UPDATED] Boston shoegaze behemoth Infinity Girl with its latest EP of cacaphonous dream pop puts a big exclamation point on a break-out year for the quartet. It's easy to forget that a year ago the band was just getting off the ground, and as recently as seven months ago few even knew who these guys were. But with the unexpected materialization of its brilliant full-length debut Stop Being On My Side last spring, Infinity Girl began a meteoric rise into the vanguard of the city's guitar bands. Just Like Lovers, given the relatively short time it germinated and how closely it comes in the wake of that long-player (although most if not all of its songs are already live staples), is a surprisingly large and well-defined step forward for Infinity Girl, one that suggests the band may only be beginning to tap a great potential.

Opener "Untitled (July)" commences with a My Bloody Valentine-esque swirl of guitars and a stuttering beat. Lush, effected guitars drape over everything, burying the drum kit and threatening to levitate up off the rhythm tracks altogether as they sensuously shift across one another like layers of diaphanous tulle. "Taking Nothing" touts gentle vocals that recall Brooklyn's late, great Dirty On Purpose, but the most compelling aspect of the tune is the crushing loud-quiet dynamics that move drummer Sebastian Modak's steady work behind the kit to the fore as he powers tidal waves of drop-tuned guitars spangled by guitarist Kyle Oppenheimer's helical leads. EP closer "Not My Hang," featuring what we believe to be the first recorded lead vocal by Mr. Oppenheimer, is blurry, bending and beautiful, and perhaps I-Girl's most sophisticated composition to date. The song's final moments when rendered live are cataclysmic; the mayhem is necessarily reigned in on the recorded version to non-ear-bleeding levels, but nonetheless is both quite affecting and a suitable end to a collection of songs.

Like the first Ringo Deathstarr EP, Just Like Lovers is so very enjoyable and brief you will just play the thing over and over, until the songs just play over and over in your head. Just Like Lovers captures the sound of Infinity Girl reaching farther, with more crystalline production highlighting arrays of guitars deftly arranged around soft or spectral vocals. With the impressive progress the band has logged in such a short period, fans can only hope that its development won't be arrested by the temporary departure of Mr. Modak, who will be out of the drum stool for much of 2013 while he pursues other interests. Infinity Girl self-releases Just Like Lovers tomorrow; our friends at WFNX.com premiered it in its entirety earlier this evening. The EP is being feted tomorrow night with a killer show at TT The Bear's that includes sets from the mighty Soccer Mom, Speedy Ortiz and The New Highway Hymnal; all the details are at the Facebook event page right here.



Selected Previous Infinity Girl Coverage:
And Then This Happened: Infinity Girl, Young Adults Blitzkrieg TT The Bear's
Forever Now: The Infinity Girl Interview
Review: Infinity Girl | Stop Being On My Side

Infinity Girl: Internets | Facebook | Bandcamp | YouTube