Be Prepared: Geoff Farina | The Wishes Of The Dead | 5 March

Mind alteringly anachronistic and pure music from former leader of Boston-bred, jazz-inflected, post-punk powerhouse Karate, The Wishes Of The Dead is Geoff Farina's first solo record in a decade. The rootsy album, written while Mr. Farina lived in rural Maine after his wife's one-year teaching contract at Colby College concluded, features songs placid and troubled, their spare settings (no rhythm section) situating the compositions within large expanses in which trouble recedes into ripples among chiming guitar accompaniment. The trouble is instant, but Farina's incisive lyrics and dry voice provide a reporter's detached vantage. It's a familiar, entrancing vocal style that Mr. Farina has used to confide in the listener since the earliest Karate recordings. That paired with the guitar virtuoso and music scholar's vibrant and intricate acoustic guitar tracks makes The Wishes Of The Dead a consistently rich and rewarding collection. The set was mastered by Bob Weston and is being released in the UK by Damnably March 5 on CD and digital download. The first single from the collection is "Hammer And Spade," which charms with its simple vocal harmonies and housefly-on-a-hot-day slide guitar. The single will include two live tracks, the traditional "St. Anne's Reel" and the Secret Stars' "Not About A Birthday" (Farina, in addition to his tenure in Karate, among other things was also was a principal in Secret Stars). As an aside, we'll say that seeing Karate in its early four-piece formation playing a basement at Wesleyan University Feb. 26, 1997 is still one of the best shows we've ever seen. We have three SoundCloud embeds below for your perusal. Pre-order The Wishes Of The Dead from Damnably right here.

Muxtape No. 6: The Plans That Had To Fall Through

The weekend winds down at :: clicky clicky :: headquarters, but not before a new Muxtape has been posted for your listenification. Our thoughts, impressions, false memories and alleged recollections are below, and you can listen to the whole shebang right here.

1. Flaming Lips -- "Hit Me Like You Did The First Time" -- Hit To Death In The Future Head
(If you listen, this song has everything: piano, strings, slide guitar. And a provocative title to be sure, but at this stage in the band's career this was relatively tame, and the lyric makes it all innocent enough. Thrash is largely dialed back on this tune and what you have isn't an ode to masochism, just a whimsical, almost romantic request regarding those early days of a relationship. Or something. Flaming Lips gained acclaim at the end of the '90s, but more and more we believe people paid attention at the wrong end of the decade.)

2. Love As Laughter -- "I Am A Ghost" -- Laughter's Fifth
(We appreciate blunt declarative writing. This is one of the reasons we like legal writing. And of course the Wall Street Journal. Hell, it is the main reason we like Minor Threat's "Filler." This song is a far cry from "The Youth Are Plastic" and "Singing Sores," tracks from the band's debut in the mid-'90s. Here we have a scruffy, no-frills indie rocker with a great introduction -- a great set up for the ensuing bash n' pop. "I float throughout your house at parties." More people should be paying attention to Love As Laughter, whose sixth set is slated for release later this year.)

3. Karl Hendricks Trio -- "The Overweight Lovers" -- The Jerks Win Again
(We really wanted to post "The Summer Of Warm Beer," but the track -- from the same 2003 set -- is 13 minutes long and way over Muxtape's 10MB per track limit. But this song has its own substantial charms and presents a serviceable representation of the meandering electricity and riffage that characterizes this fine record.)

4. Lefty's Deceiver -- "Ex-Patriots" -- Cheats
(The final incarnation of Lefty's produced its most straightforward collection of songs. The lyrics on Cheats are compelling and particularly evocative, although the gut-level attack of early genius tracks like "H to Hg" is not left out either. It is hard to pick a favorite from Cheats, what with the hypnotic nostalgia of "Years And Years Ago," the affecting yearning of "East Coast Traffic." The chorus of this number provides us with the title of this Muxtape. The band reunited around last Thanksgiving for a single show and we missed it because we were out of town, which was disappointing. That said, there have only been a handful of shows that were as exciting as the record release party for the band's debut 45, which we did see, so we've got that going for us.)

5. Wendyfix -- "Over + Upward (Ridge)" -- King Size Demos
(A quick waltzer and a highlight of the esteemed and mostly unreleased discography of this erstwhile Evanston, Ill.-based trio. Particularly as the second verse rolls around the bass and guitar complement each other wonderfully in carrying the melody. Little idea what singer Ted Pauly is on about here, but we always thought it was something along the lines of construction equipment coming and leveling a nice place and replacing it with a newer, less nice place. "Powerless to stop progress..." and all that. Look for the video on YouTube.)

6. Luna -- "Sideshow By The Seashore" -- Live
(Originally on the self-titled EP whose cover took cues from the now largely forgotten soundtrack to the film "Kids." An EP we'd like to acquire in the popular compact disc format. Although the live set from which this track is taken is no slouch and has a whole lot of super tracks. We really like the lyric in here "all the comforting words provide no comfort." A sentiment that has been abstracted in countless other indie songs, here Wareham just comes out and says it.)

7. Lilys -- "Your Guest And Host" -- Eccsame The Photon Band
(A friend familiar with the early Lilys catalogue recently expressed some reservations about Eccsame The Photon Band, and we think this is too bad. The record is really a fully realized work of genius, not the least of which because of some uncompromising, spacey production. Although superlative songs certainly don't hurt, right? Few if any have presented a confidence-inspiring track list for this set, which includes a handful of interstitials. As such, every time we re-rip this CD (we're upgrading tracks to 192Kbps a bit at a time) the suggested track listing comes up slightly different. We ask this on the blog almost weekly, but when will someone figure out how to rescue the rights to the Lilys Spin Art catalogue from whatever bankruptcy-inspired purgatory contains it and offer up expanded reissues?)

8. Yo La Tengo -- "Tiny Birds" -- Summer Sun
(This record is relatively maligned within the Yo La Tengo canon, but there are actually quite a few tracks we come back to, particularly this one. Is McNew singing this one? We can't say his name any longer without thinking of the Danish band Mew and laughing, but that is another story altogether.)

9. Human Television -- "Look At Who You're Talking To" -- Look At Who You're Talking To
(Nice string arrangements here. Members of Human Television were part of one of the more recent iterations of Lilys. This track and the band's "In Front Of The House" share some lyrics, and we've always wondered which song came first. The latter tune is an upbeat indie popper, markedly different in tone from what is going on here. To quote John Bender in "The Breakfast Club," feeling bad feels pretty good.)

10. REM -- The Wrong Child -- Green
(Album track from the popular American alternative rock act Rapid Eye Movement, or something like that. The piano, twelve-string and strings do a good job of keeping the mandolin in check. Stipe's layered vocal is pretty affecting, particularly when he hits the chorus. We're not crazy about the soaring "okayyyyyyyyyy," but we expect that the lyric "I'm not supposed to be like this" resonated strongly with the late teen crowd when this set was released. It certainly did with us.)

11. Karate -- "What Is Sleep?" -- Karate
(Question number one on this Muxtape. We don't have any larger reason for including it here -- we're not suffering from insomnia or anything. We just think people have forgotten that the first few Karate records were filled with great songs. We saw Karate in 1997 before going to Europe back during the time when it was a four-piece act and they really tore it up. This number has arresting dynamics: the jarring breaks and the songwritery verses present a hard contrast; a love song you can rock out to; an indie power ballad. Not the mixtape-for-your-girlfriend slam dunk that "Today Or Tomorrow" is, but still a dynamite track.)

12. Eddyfink -- "Will I Get Through Today Without Being Kicked In The Knickers?"
(Question number two on this Muxtape. A hook-laden, jittery number from a now defunct act written for a compilation that celebrates a British telephonic information service. From what we recall you could either ring or text the service and it would provide an answer, for free or for a nominal fee. No matter. We love the paranoia of the title question -- not too mention the chorus's "I can't take this anymore" -- and we love thinking about what the person working the phones that day would think upon receiving such a question. The world view of the comically victimized makes for a very fertile set of parameters from a narrative standpoint. Surprisingly deft vocal harmonies for a rock band that isn't, you know, The Eagles, too.)

Today's Hotness: Helms, Interpol, Archers of Loaf

[PHOTO CREDIT: Brad Searles] >> We were intent on seeing Friday night's Callum Robbins benefit without writing about it. Sometimes we just like to go to shows without constantly considering "well, how are we going to describe that?" But, as usual, we feel compelled to discuss the show, held at Somerville, Mass.'s P.A.'s Lounge and arranged by former Karate band leader Geoff Farina. The bill had Drew O'Doherty opening, Mr. Farina and indie rock journeyman Chris Brokaw supporting as a duo (with a record of interpretations of folk and blues classics on the way), angular rock luminaries Helms supporting and noise provocateurs Neptune top-lining. As we've seen Neptune a couple times [one, two] previously, we ducked out before they began. But we were especially impressed with Mr. O'Doherty and Helms. The former is a very compelling singer-songwriter with an effortless baritone not dissimilar to that of Richard Buckner. He had been an unknown quantity to us before Friday evening despite some glowing (and, it turns out, well-deserved) praise coming from The 'Nac.

Helms we've been a fan of since the release of 2002's McCarthy, which we reviewed here for Junkmedia. Friday afternoon we'd gotten a tip that Helms guitarist Sean McCarthy had broken his arm, so we were fearful the band might not play and another chance to see them would elude us. But, not unlike when we saw Neptune open for Mission Of Burma, Mr. McCarthy showed up (we heard it was actually a broken collar bone at the show, and not a broken arm, but still), presumably played through considerable discomfort, and kicked a lot of ass along with bassist/wife (we think) Tina and drummer/brother Dan. Helms was an unstoppable force Friday night, humorous between songs but driving and hypnotic when playing. There's no excuse why we've never seen them all these years, but you can bet we will see them again. And we're buying their latest record, 2006's Secret Doors on History Major Records, as soon as we finish writing this. The band is offering the excellent track "It Takes Skin To Win" as a download at its MySpace wigwam here, and it is one of our favorites, so we'll offer it, too, even though we already did about 11 months ago here. What can we say, we can't get enough. Speaking of digital audio, Mr. 'Nac recorded both nights of the Callum benefits and we expect you will have the opportunity to hear them sometime pretty soon over there.

Helms -- "It Takes Skin To Win" -- McCarthy
[right click and save as]
[follow the links at the Helms web site to buy their music]

And because we had joked with Mr. 'Nac prior to the show that we'd donate an extra $10 if Farina played the old Karate classic "Today Or Tomorrow" from 1997's In Place Of Real Insight, here's that track, too.

Karate -- "Today Or Tomorrow" -- In Place Of Real Insight
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[buy Karate records from Newbury Comics here]

>> We finally made it to Newbury Comics Thursday for some record shopping. You are reading the words of the man who received the last Interpol/Newbury Comics co-branded pint glass given away as a promo with the sale of the new Our Love To Admire. We also received with our purchase of Interpol's major label debut a vinyl single for "The Heinrich Maneuver" backed with an instrumental version of the album track "Mammoth." And it was by inspecting the vinyl single that we learned that the latest Interpol set was produced with Rich Costey, who around these parts is best known for producing the Lilys' peerless third record Eccsame The Photon Band. Interesting.

>> Other notes from our shopping trip. We had previously stated that the new They Might Be Giants record The Else was produced by Jon Brion. It was actually produced by The Chemical Dust Brothers [DOH!]; we regret the DOUBLE error. We don't know how we got that into our heads. Oh well. We listened to the record and it falls a little flat in our opinion. Interestingly enough, the set comes with a bonus disc that we enjoy more. It's titled Cast Your Pod To The Wind and it's got a bit more quirk, the compositions seem a little brighter and sharper and have a bit more of the duo's characteristic humor. So there you go.

>> Hey, did you know that Last.fm offers on-demand streams of some of the Archers Of Loaf's catalog, including the vinyl singles? Not only that, but also the social networking site offers downloads of a number of Archers tracks, including "Step Into The Light" and "Harnessed In Slums," the first two cuts of the excellent 1995, Bob Weston-recorded masterwork Vee Vee. And certainly if you've never heard "Web In Front" and "Wrong" from the band's debut full length, Last.fm's got free downloads of those, too. "Web In Front" might be the quintessential '90s indie rock track.

>> A couple odd requests: anybody have an MP3 of Lint's one-sided 7" "Fifth Floor," released on Plumb Records in 1996 or so? For those of you who don't recall it, there is more information here, including this description: "Lint is a "supergroup" of sorts. Members of The Swirlies, Spore, Milkmoney, Victory At Sea, SK-70, Landfill, AM Stereo, Grace Budd and more get together to play music unlike anything else they do... every song features a different singer and somewhat different sound." We're also hoping someone has ripped an old 7" by a band called Retriever for the song "Q-Tip." Get in touch if you've got the songs handy. It's been years since we heard them, and we've lost the cassette we recorded them to in college.