Review: Fleeting Joys | Occult Radiance [MP3]

We've been talking about it for more than a year, but the sophomore record from Fleeting Joys is finally here. The elephant in the room when discussing the superlative Northern California-based shoegaze duo is the similarity between its music and the most well-known and inflential portion of My Bloody Valentine's body of work. It bears mentioning and is a useful shorthand, but we expect Fleeting Joys' John Loring and Rorika grow weary of the obvious comparison (they list MBV first among their influences at MySpace) even as they are gratified by it. The aural similarity has led to some pretty silly behavior by seemingly well-intentioned fans. Those who take the time to scrutinize will find Fleeting Joys are more forthcoming with a melodic hook than Kevin Shields' legendary quartet, and while Fleeting Joys don't rush albums out, the duo has released two in the last few years, which is two more than Mr. Shields has released in about two decades. If you are a fan of painstakingly architected and beautifully realized guitar music that bends, pounds and pulses, Fleeting Joys have a lot to offer, particurly on this latest collection.

And of course, listeners who refuse to accept the easy comparison will find there's quite a few bands to which one can point. It's hard to say in which direction the influences may flow, but the crushing opener "The Angels Cannot See You Now" recalls fellow California-based psych-rockers The Warlocks. "Into Sun + Dark" hints at the beginning of Crooked Fingers' cover of Queen and David Bowie's "Under Pressure," but instead of shifting into a traditional rock/pop form "Into Sun + Dark" persists in glimmering, sparkling, drifting in on itself and burrowing under layers and layers of processed guitars. "Dearly Sedated" modulates the main riff of The Swirlies' "Park The Car By The Side of The Road" and adds menacing intensity with pounding, black sheets of sound.

We haven't heard anything about a single being released, but Fleeting Joys has a perfect a-side/b-side pairing in tracks two and three on the new set, the uptempo, pop-leaning strummer "You Are The Darkness" and "Cloudlike Mercury." Both are album highlights, particularly the former. Fleeting Joys released Occult Radiance domestically through its own Only Forever Recordings Aug. 27. Occult Radiance was released in Japan in January on Thomason Sounds with a different track listing and mix. The U.S. release has two additional songs, the aforementioned "The Angels Cannot See You Now" and "Dearly Sedated." The Japanese release is still something of a collector's item, however, as it contains "Closer To My World Without Pain," which is not on the domestic issue. Fleeting Joys debut Despondent Transponder was issued in 2006 and is now out of print. There's no proper freebie promo MP3 from Occult Radiance, but the band has graciously offered up the outtake "Golden Now." Check it out.

Fleeting Joys -- "Golden Now" -- Occult Radiance outtake
[right click and save as]
[buy Occult Radiance from the band here]

Fleeting Joys: Internerds | MySpace | YouTube | Flickr

Show Us Yours #9: Charmparticles

[After a several-month hiatus, our Show Us Yours feature returns. Links to prior episodes are at the bottom of the piece. -- Ed.]

When we were coming of age, Portland, Oregon was known to us (incorrectly, as it turns out -- thanks for the comment, Potatoes! Sorry Mr. Tate, et al.) as the home of mind-incriminating rockers Queensryche. But in the last decade or so -- as the musical underground clawed its way toward the mainstream, and as the mainstream plummeted toward the offensive mediocrity of the lowest common denominator (babes x beer = party) -- indie bands in Portland have distinguished themselves. Nowadays Decemberists, Dandy Warhols and Quasi are household names among most indie fans. The Portland scene supports a diversity of styles, and its premiere dream pop band may very well be Charmparticles.

Currently a trio that fuses the best parts of acts like Starflyer 59 and The Cranberries into a single, focused package while remaining loyal to its shoegazing roots, Charmparticles has just self-released its slightly foreboding ("Rarest Numbers," "Battersea"), sometimes aggressive ("Get Your Complex On") sophomore set, Alive In The Hot Spell. This spring we discovered the five-year old band while streaming music via Pandora. Entranced by the sounds of the bending guitar chords on one of its earlier tunes, we checked in with bassist and vocalist Pamela Rooney to see where the band does what it does for this edition of our voyeuristic, practice-space fixated feature Show Us Yours. What we learned is that cement can't protect you from either the heat or the cold; that Charmparticles' song writing has changed over time; and that angel-voiced Rooney doesn't believe in ghosts.

1. Why did you choose/why do you use this space?

We had another space in the same building that was a small and lightless box. When this one came up for rent we grabbed it. It's got decent views of downtown and windows that open. Very important in the summer, very crappy in the winter.

2. Explain how an idiosyncrasy or quirk of this space or a former practice space has affected a song, or even your overall sound.

The whole building is the former headquarters of the Oregon Portland Cement Company. It's an old building and made entirely of (you guessed it) cement. It's blazing in the summer and frozen in the winter, so we've spent many nights either bathed in our own sweat or exhaling streams of steam. Summer and winter practices are often made as short and productive as possible for this reason. There's a rumor that the place houses plenty of ghosts of workers who died with lungs full of concrete dust. I'm not so much one that goes for ghosty stuff, but it's a creepy building and we've freaked ourself out a couple of times when loading our equipment in after a show. Eerie. Creepy.

3. You walk into your space. What's the first thing you smell? Why?

Dust and beer. It's dusty and there are plenty of empty beer cans.

4. It's been three years since your last EP, and it was two years between The Scenic EP and Sit Down For Staying. Despite the pauses between releases, many of the band's stylistic elements have remained constant. What are the biggest changes between the band that wrote that first EP and the band that wrote Alive In The Hot Spell?

The easiest changes to identify are those of line-up. There were four of us and a different drummer for The Scenic EP, then a new drummer for Sit Down For Staying, and then we lost a guitarist for Alive In The Hot Spell. The songwriting process was completely restructured for this last record, and I think in the years between Scenic and AITHS, we've just found ourselves a little more, both musically and personally. We're a little more focused and a little more easygoing now than we have been, and when we finally took some pressure off of ourselves, songs started rolling in. BUT, we still love reverb and delay, so those elements will probably make us sound sonically like us for a time to come.

5. We discovered your band via the Internet radio service Pandora. With the threat of a new royalty scheme being enacted and destroying Internet radio as we've known it, we were wondering if you have any thoughts on how its potential demise will affect Charmparticles?

Yes, I have plenty of them. I feel pretty certain that Pandora and SomaFM (and plenty of other stations) have broadcast our music to a broader audience than we could have ever hoped to with day jobs. I get a few emails a week from people that have heard us on Pandora or Soma. I don't mean to state the obvious, but it can stand the emphasis: The internet as a free and available communication medium has been a boon to so many independent musicians/writers/artists (and independent music in general) that watching it become yet another outlet available to only those with abundant resources is utterly heartbreaking. I really did think it would stay good.

6. What do the next six months look like for your band?

We'll be having a little tour here, a little songwriting there (once the space cools down!). Generally flying by the seats of our pants until we settle down long enough to record again.

^^^

Charmparticles' Alive In The Hot Spell was released June 29. You can buy it at CDBaby right here, or stream cuts at the band's Virb page here or MySpace dojo linked below. Below that are listings for three shows the band has booked for next month.

Charmparticles: InterWeb | MySpace | YouTube | Flickr

08/04 -- Portland, OR -- Doug Fir Lounge
08/17 -- Seattle, Washington -- Skylark
08/18 -- Portland, OR -- Someday Lounge

Previous Show Us Yours episodes:
Shapes And Sizes | Dirty On Purpose | Relay | Mobius Band | Frightened Rabbit | Assembly Now | Meneguar | Okay Paddy