Showing posts with label Starflyer 59. Show all posts
Showing posts with label Starflyer 59. Show all posts

October 9, 2012

Today's Hotness: The Hush Now, R.M. Hendrix

The Hush Now -- The Flapper

>> The Hush Now's fidelity to tradition persists, a small but beautiful thing we've come to count on, a little consistency in a crazy world. Like morning frosts and 4PM sunsets, the Boston-based dream-pop quintet returns, here with a third annual Halloween-themed treat in hand, this one titled "The Flapper." The jaunty song reinforces our long-held belief that singer and founder Noel Kelly and his merry men could easily be raking in dough on the side writing pop gems for Disney soundtracks. "The Flapper" rests upon a winking guitar lick and a sturdy beat, both of which provide a platform for Kelly's strong, soulful voice, creepy leads from guitarist Adam Quane and dusty organ from key stroker John Millar Jon Rosen [sorry Jon! -- Ed.]. As entrancing as the tune is, we are curious to know whether there is an extended version somewhere, as we'd certainly like to hear more of the stone groove the quintet digs as the song heads into the fade, where dubby reverb hits the drum kit and synth noodles scurry like creeping insects (this latter part reminds us of a passage from some electric Miles Davis jam we can't put our ears on right now). Previous Halloween numbers from The Hush Now include 2011's "The Legend Of Dudley Town" [playlisted] and 2010's "Please Mephistopheles (Leave Me Alone)" [blogged]. Check out the latest offering via the embed below; you can also download the joint from Bandcamp right here, where you will find most if not all of the band's catalog available for free download. The Hush Now in recent days have been tracking tunes for a new planned full-length, its fourth, at Allston's Mad Oak Studios. Check out the band's Facebook page for photos from the ongoing sessions.



>> Boston-based graphic designer and music DIY-er R.M. Hendrix last month issued the latest in a long strand of releases, the dense, droning psych-pop platter Pink Skin EP. The short set trades in big, effected guitars and driving drum beats, all cleanly captured to tape (or, more likely these days, ones and zeroes) for maximum impact. "Last Days of Black" commences with cool guitar noise loops before a slinky bass enters and clears room for some massive guitar swaths. Just as quickly, Mr. Hendrix's voice comes in, recalling Adam Franklin's effortlessly cool speak-sing in Swervedriver, or even the Brit-affected warbling of Robert Pollard. The real jewel is the final track, "Lipstick and Perfect Hair." A jangling rock structure plays underneath disorienting guitar strums that aim to disrupt the classic college rock vibe that carries the song. The track evokes Lenola's first album (or maybe at times Julie Ocean) in its youthful power-pop innocence, paired perfectly with queasy histrionics. Pink Skin, available on CD and digitally, was conceived by Hendrix earlier this year and eventually mastered by Starflyer 59's Jason Martin. Hendrix, formerly of indie rockers Flannery, has apparently been slyly producing music for nearly as long as his particular strain of the genre has existed -- at least one song at his web site dates back to 1996. Peruse the entire catalog right here. Could R.M. Hendrix be the R. Stevie Moore of shoegaze? The world could certainly use more of those. -- Edward Charlton



July 22, 2007

Show Us Yours #9: Charmparticles

Charmparticles practice space, Portland, Oregon[After a several-month hiatus, our Show Us Yours feature returns. Links to prior episodes are at the bottom of the piece. -- Ed.]

When we were coming of age, Portland, Oregon was known to us (incorrectly, as it turns out -- thanks for the comment, Potatoes! Sorry Mr. Tate, et al.) as the home of mind-incriminating rockers Queensryche. But in the last decade or so -- as the musical underground clawed its way toward the mainstream, and as the mainstream plummeted toward the offensive mediocrity of the lowest common denominator (babes x beer = party) -- indie bands in Portland have distinguished themselves. Nowadays Decemberists, Dandy Warhols and Quasi are household names among most indie fans. The Portland scene supports a diversity of styles, and its premiere dream pop band may very well be Charmparticles.

Currently a trio that fuses the best parts of acts like Starflyer 59 and The Cranberries into a single, focused package while remaining loyal to its shoegazing roots, Charmparticles has just self-released its slightly foreboding ("Rarest Numbers," "Battersea"), sometimes aggressive ("Get Your Complex On") sophomore set, Alive In The Hot Spell. This spring we discovered the five-year old band while streaming music via Pandora. Entranced by the sounds of the bending guitar chords on one of its earlier tunes, we checked in with bassist and vocalist Pamela Rooney to see where the band does what it does for this edition of our voyeuristic, practice-space fixated feature Show Us Yours. What we learned is that cement can't protect you from either the heat or the cold; that Charmparticles' song writing has changed over time; and that angel-voiced Rooney doesn't believe in ghosts.

1. Why did you choose/why do you use this space?

We had another space in the same building that was a small and lightless box. When this one came up for rent we grabbed it. It's got decent views of downtown and windows that open. Very important in the summer, very crappy in the winter.

2. Explain how an idiosyncrasy or quirk of this space or a former practice space has affected a song, or even your overall sound.

The whole building is the former headquarters of the Oregon Portland Cement Company. It's an old building and made entirely of (you guessed it) cement. It's blazing in the summer and frozen in the winter, so we've spent many nights either bathed in our own sweat or exhaling streams of steam. Summer and winter practices are often made as short and productive as possible for this reason. There's a rumor that the place houses plenty of ghosts of workers who died with lungs full of concrete dust. I'm not so much one that goes for ghosty stuff, but it's a creepy building and we've freaked ourself out a couple of times when loading our equipment in after a show. Eerie. Creepy.

3. You walk into your space. What's the first thing you smell? Why?

Dust and beer. It's dusty and there are plenty of empty beer cans.

4. It's been three years since your last EP, and it was two years between The Scenic EP and Sit Down For Staying. Despite the pauses between releases, many of the band's stylistic elements have remained constant. What are the biggest changes between the band that wrote that first EP and the band that wrote Alive In The Hot Spell?

The easiest changes to identify are those of line-up. There were four of us and a different drummer for The Scenic EP, then a new drummer for Sit Down For Staying, and then we lost a guitarist for Alive In The Hot Spell. The songwriting process was completely restructured for this last record, and I think in the years between Scenic and AITHS, we've just found ourselves a little more, both musically and personally. We're a little more focused and a little more easygoing now than we have been, and when we finally took some pressure off of ourselves, songs started rolling in. BUT, we still love reverb and delay, so those elements will probably make us sound sonically like us for a time to come.

5. We discovered your band via the Internet radio service Pandora. With the threat of a new royalty scheme being enacted and destroying Internet radio as we've known it, we were wondering if you have any thoughts on how its potential demise will affect Charmparticles?

Yes, I have plenty of them. I feel pretty certain that Pandora and SomaFM (and plenty of other stations) have broadcast our music to a broader audience than we could have ever hoped to with day jobs. I get a few emails a week from people that have heard us on Pandora or Soma. I don't mean to state the obvious, but it can stand the emphasis: The internet as a free and available communication medium has been a boon to so many independent musicians/writers/artists (and independent music in general) that watching it become yet another outlet available to only those with abundant resources is utterly heartbreaking. I really did think it would stay good.

6. What do the next six months look like for your band?

We'll be having a little tour here, a little songwriting there (once the space cools down!). Generally flying by the seats of our pants until we settle down long enough to record again.

^^^

Charmparticles' Alive In The Hot Spell was released June 29. You can buy it at CDBaby right here, or stream cuts at the band's Virb page here or MySpace dojo linked below. Below that are listings for three shows the band has booked for next month.

Charmparticles: InterWeb | MySpace | YouTube | Flickr

08/04 -- Portland, OR -- Doug Fir Lounge
08/17 -- Seattle, Washington -- Skylark
08/18 -- Portland, OR -- Someday Lounge

Previous Show Us Yours episodes:
Shapes And Sizes | Dirty On Purpose | Relay | Mobius Band | Frightened Rabbit | Assembly Now | Meneguar | Okay Paddy