That Was The Show That Was: Japanese Breakfast with Porches, Rivergazer | The Sinclair | 5 Oct.

[PHOTOS: Tiffany Law for Clicky Clicky Music Blog] The reverbed keys and dense shoegazey guitars on Psychopomp, Michelle Zauner's full-length debut with her latest project Japanese Breakfast, represented a sharp stylistic pivot away from the music of her beloved and much-Clicky Clicky'd Philly indie combo Little Big League. That and the fact that Psychopomp was largely inspired by the loss of Ms. Zauner's mother to cancer provided ready-made narratives ahead of the long-player's release. But the big story for Psychopomp, which was issued last spring, has to be its superlative songwriting, which couches concise hooks and earworm choruses within expansive production. It is one of the year's more arresting releases.

Last Wednesday night at Cambridge, Mass.'s Sinclair the band ran through a tight live reworking of the record, while mixing in a number of affirmative nods to certain key influences. Among the live set's highlights were performances of widely heralded album preview tracks. Japanese Breakfast's cover of Birthday Girls' "Everybody Wants To Love You," whose sprightly indie pop guitar leads -- admittedly something of a tonal outlier on record -- practically blossomed in a live setting. Better still was the band's sparkling rendition of "In Heaven," a track that doubles as Psychopomp's thesis statement, and one that felt particularly cathartic presented on stage. Multi-instrumentalist Nick Hawley-Garner flipped between guitar and keys throughout the set, working to animate Psychopomp's lush and at times Smashing Pumpkins-indebted arrangements.

Even so, and aside from a gorgeous cover of The Cranberries' eternal teen-pop smash "Dreams," the night's biggest moment was Japanese Breakfast's set-closer, an as yet-untitled new tune touting bubbly synth and auto-tune styled vocals from Zauner. For this, she abandoned her guitar and bounced around the stage, underscoring this reviewer's hunch that the band may be heading in a poppier, and perhaps thrillingly experimental, direction. Following its show at The Sinclair, Japanese Breakfast played two sold-out "hometown" shows in Brooklyn and Philadelphia; next week the act heads across the ocean for a three-week tour of the UK and Western Europe. Stream all of Psychopomp via the Bandcamp embed below and click through to purchase the set on vinyl, cassette or as a digital download.

Popular New York group Porches headlined the night, proffering plenty of cuts from its moody, swaying Domino Records debut Pool. Bandleader Aaron Maine has grabbed headlines for taking his project in a bolder direction away from its earlier downer folk-rock. He now leads a much looser live outfit, and has become something of an enigmatic focal point: video clips now depict his slightly off-kilter delivery and dance moves. There are few indie groups out there with as strong a stage chemistry, which likely accounts for the incredible live takes on Pool highlights "Car," "Mood," and "Braid." New York alt R&B outfit Rivergazer, whose Kevin Farrant also plays guitar in the Porches live band, opened the night with tasteful numbers from its recent Only 4 U EP. -- Dillon Riley

Japanese Breakfast: Bandcamp | Facebook



Related Coverage:
Review: Little Big League/Ovlov | "Year Of The Sunhouse," "Pure Bliss Choices" b/w "The Great Crocodile"
That Was The Show That Was: Little Big League with Paws, Idiot Genes | Great Scott | 14 Nov.
Today's Hotness: Little Big League

Review: Ringo Deathstarr | Pure Mood

Is it still too early in dream-pop's current swell in popularity to proclaim a band the "Wilco of shoegaze?" Such a mantle might not yet fit Austin, TX noise-pop goliaths Ringo Deathstarr, but it nevertheless illustrates the liminal point the act occupies as it issues its tremendous new album Pure Mood. Across its four-album run (including 2011's Sparkler singles collection), the trio has established itself as reliable producers of potent, thoughtful rockers that faithfully honor established shoegaze conventions with artfulness and a bit of humor. Pure Mood is a perfect summation of Ringo Deathstarr's strengths, but it also raises the question: where does the band go from here?

And perhaps this is where Wilco could point the way. Obviously recruiting guitar virtuoso Nels Cline can only be done by so many bands... But by albums four and five, Jeff Tweedy and company famously transformed with Yankee Hotel Foxtrot and A Ghost Is Born by not only revealing more of themselves, but also by mixing up their influences to concoct an avant and abstract challenge to its prior oeuvre. Is it time for the Texas titans to inject more vulnerability or experimentation into its work? The latter is already happening in certain corners of Pure Mood. Indeed, its most thrilling moments are when Ringo Deathstarr defies expectation, as in "Dream Again," one of the few songs on the new collection where the band allows the piece to unwind in its own fashion, rather than choosing the easier exit via dramatic buildup or ignition of a holocaust of distortion and other effects. Album highlight "Stare At The Sun" slinks by on a delicate guitar bridge-plucked groove that not only sounds unlike anything that has been played by a shoegaze band before, but also manages to be both emotionally stimulating and entirely impossible to predict as the piece shifts to a shrill and danceable anthem of a chorus. It's a highly imaginative moment for the band, but also a glimpse of one possible future for an act that may be approaching an inflection point.

Pure Mood embraces influences both unexpected and logical. The grungy chords and steady, pounding drums of the Elliot Frazer-led "Never" and "Heavy Metal Suicide" echo Alice In Chains and relatively recent tourmates Smashing Pumpkins, specifically those bands' presentation of punk-derived energy in the context of big, polished productions. Even so, The Deathstarr knows better than to let go of its own strengths. For example, the relatively more aggressive and bass-forward sound introduced with its 2012 long-player Mauve [review] persists on the new collection. Bassist Alex Gehring, Mr. Frazer's longstanding musical foil, handles vocals on many of Pure Mood's softer songs, where her clear, euphonious tones shine brightest. There she is right at the outset of the record on the aforementioned stunner "Dream Again," gracefully harmonizing and doubling her vocals. And "Boys In Heat" and "Acid Tongue" underscore just how adept Ringo Deathstarr is at crafting the sorts of woozy, mid-tempo whammy-bar workouts characteristic of much of the Texans' 2011 debut, Colour Trip. Beyond these songs' inherent beauty and majesty, it is impressive just how fertile this territory is for the band: while in a sense the sound is Ringo Deathstarr's bread and butter, the threesome never feels like it is repeating itself because of the bracing, brisk and pop-leaning aspects of its songwriting. Pure Mood was released Friday by London-based Club AC30 in two separate colors of vinyl, on compact disc, and as a digital download. Unfortunately, it appears that the vinyl is already sold out, but the CD can be snatched up right here. -- Edward Charlton

Ringo Deathstarr: Bandcamp | Facebook | Soundcloud





Prior Ringo Deathstarr Coverage:
Today's Hotness: Ringo Deathstarr
Today's Hotness: Ringo Deathstarr
Review: Ringo Deathstarr | God's Dream
And Then Some Days We Get Awesome Mail 13
Review: Ringo Deathstarr | Mauve + Live In Portland, Sept. 20
YouTube Rodeo: Ringo Deathstarr's "Kaleidoscope"
YouTube Rodeo: Ringo Deathstarr's "So High"
YouTube Rodeo: Ringo Deathstarr's "Imagine Hearts"
Today's Hotness: Ringo Deathstarr
Ringo Deathstarr Will Storm Japan, U.K., Issue "You Don't Listen" Single
Ringo Deathstarr "In Love" b/w "Summertime" Due 9/14
Today's Hotness: Ringo Deathstarr
Today's Hotness: Ringo Deathstarr
Clicky Clicky Music Blog: The Best Records Of 2007

Today's Hotness: Pedro The Lion, Ringo Deathstarr

[Playing a little post-vacation catch-up here, with massive help from long-time friend of the blog Vanessa Deroo. We're pleased to welcome her writing to these electronic pages, and hope we'll be able to wring more out of her as her new, busy English lifestyle permits. -- Ed.]

>> It's hard to believe so much time has blown past, but we suppose we're at a point now where the name of David Bazan's mothballed project Pedro The Lion may not ring a bell with younger indie fans. But for those of a certain age, Bazan's defunct slowcore act -- which issued its debut long-player It's Hard To Find A Friend 14 years ago -- means intimate and scorched songs contemplating misplaced trust, broken faith and unsteady redemption. Over an 11-year span from 1995 to 2006, Seattle-based Pedro The Lion released five LPs, from the aforementioned flawless and raw debut LP to the electrifying finale Achilles Heel; a number of EPs and singles complete the Pedro The Lion catalogue. "Bad Diary Days," from It's Hard To Find A Friend, is an all-time favorite song of this blog's executive editor, we should point out. Thankfully, more indie fans will be able to discover for themselves the smoky magic of Pedro The Lion, as stalwart indie concern Jade Tree Records announced late last month that it will reissue this fall It's Hard To Find A Friend, The Only Reason I Feel Secure, Winners Never Quit, Control and Achilles Heel. Four LPs were remastered from the original sources by long-time co-conspirator TW Walsh; Winners Never Quit, the band's first and perhaps finest conceptual collection released in 2000, was remastered by John McCaig. The reissues are due from Jade Tree Oct. 30 and are available for pre-order now. A bundle of all five LPs packaged with a turntable mat and limited edition 10" by 10" print by Bazan is also available for a cool USD$70, but only until Aug. 31. Stream "A Mind of Her Own," the climax of 2000's Winners Never Quit, via the Soundcloud embed below. -- Vanessa Deroo, correspondent



>> Austin-based shoegaze heroes Ringo Deathstarr are wrapping a successful, fan-backed album campaign that we've followed closely here at Clicky Clicky headquarters. The trio announced in late July that its second long-player is titled Mauve; it will be issued by Sonic Unyon in the US and Club AC30 in the UK Sept. 24. The album release will be preceded by tour dates in Japan and South America and will coincide with a massive North American tour through late October. According to a Facebook post the trio will be in Boston Oct. 19; we expect UK and European dates are also in the cards. The 335 fans who supported the release via the PledgeMusic funding campaign will likely receive the record prior to the completion of the planned West Coast leg, but perhaps not before the release of the pending first single from the set, "Rip," an open invitation to noisy dreams which got premiered on Pitchfork here last month and which you can stream via the Soundcloud embed below. A stream of another track, a "drone in D flat" called "Girls We Know," was made available exclusively to pledgers and showcases the doomier, later JAMC-influenced side of Ringo Deathstarr. Mauve was produced by fronter and guitarist Elliot Frazer in Austin and Los Angeles earlier this year, in between touring with such luminaries as Smashing Pumpkins and the mighty Johnny Foreigner. The Deathstarr's full-length debut Colour Trip was one of Clicky Clicky's favorite records of 2011. -- Vanessa Deroo, correspondent

Today's Hotness: Fanzine, Yuck, Whirr, Saint Solitude

>> Fat Possum is doubling down on UK guitar bands, as it disclosed today it will release the debut single from Fanzine, an act vigorously touted by London-based indie phenoms Yuck earlier this year. Yuck, of course, issued its debut self-titled LP via Fat Possum early in 2011. On Nov. 22 Fat Possum will deliver Fanzine's double A-side single "Roman Holiday" b/w "My Stupid Brain" in a limited edition of 500. The single will be available as a traditional vinyl 7" as well as a CD-R packaged with -- surprise, surprise -- an illustrated fanzine. Fanzine's previous self-released EP1 similarly packaged music in a 'zine, although that was distributed as a PDF with an embedded URL pointing to MP3s. "Roman Holiday" has higher production values than the music on EP1, but continues to rely on fuzzy vocals, big guitars and bigger melodic hooks, not unlike the aforementioned Yuck. In case you didn't get a chance to download EP1, it looks like this link is still live. And speaking of Yuck, the quartet continues to ride high on the success of its self-titled debut, and last week launched yet another in a rapid succession of U.S. tours with a stirring performance at TT The Bear's in Cambridge, MA. Yuck has gone over so well that Fat Possum is issuing a special double-CD/vinyl version of the collection whose second disc contains a half-dozen B-sides, including "Soothe Me." The band put the song, recorded a few months ago in London when the band had some down time, up on its Soundcloud earlier this week. Stream the mid-tempo space ballad via the embed below.

Roman Holiday by Fanzine

Soothe Me by Yuck

>> Hat tip to Sonic Masala for bringing to our attention with this item that Northern California-based shoegaze sextet Whirl has re-branded itself as Whirr. The change was apparently due to some sort of legal issue having to do with the use of the name. But more importantly, Whirr has a new single, June, out today on New York-based Tee Pee Records and it is AMAZING. The song "Junebouvier" from the single was premiered elsewhere earlier this summer and we missed it, but we've dropped a Soundcloud embed below so you can bask in the swirling, guitar-y gloriousness. June is available in a limited edition of 250 Coke-bottle green vinyl 7"s, and the single sets the stage for a full-length that Whirr was scheduled to begin recording last month. Back when the band was known as Whirl, it self-released the EP Distressor in 2010, which we wrote about right here. June sounds like a big step beyond Distressor, and we are commensurately beyond-excited to hear the planned full-length; there's no word yet as to when it will be issued.

Whirr-Junebouvier by Not Enough Recognition

>> Today is a big new release day, in case you didn't know. In addition to the Whirr single mentioned supra, The Hush Now's sparkling third record Memos is officially out. Also now available is folk-rock (now-)foursome Saint Solitude's enjoyably breezy sophomore set By Some Great Storm. Think early, more acoustic-oriented Small Factory and you are in the ballpark. Asheville, NC-based Saint Solitude mastermind and one-time sole proprietor Dup Crosson has galvanized a band around him, and, based on a couple listens, it sounds like Mr. Crosson is letting the dynamic of the band take a central role, as opposed to adding sonic flourishes and overdubs like those that filled out 2009's Journal Of Retreat. Crosson mentioned somewhere recently that he'd been feeling a Smashing Pumpkins vibe of late, and we hoped that influence would find its way into By Some Great Storm. The new rocker "Lifted" certainly does lay on the Corgan guitar fuzz and its drums hit a little harder than Crosson's typical jams, but by and large the new record continues Saint Solitude's mapping of rootsier indie pop. Buy By Some Great Storm from Alive And Well Records here or Bandcamp here, and get out to support the band when it comes to your town on tour next month. We wrote about the Saint Solitude's standalone single "Deliverance" right here last month.

Today's Hotness: Mendoza Line, Smashing Pumpkins, Built To Spill

>> And we're back. We're so far behind that we're not sure where to begin. Let's just set 'em up and knock 'em down shall we? In addition to this round-up, keep your eyes peeled in the coming days for track reviews for The Mendoza Line (in the meantime, check out the mother lode of information about the tumultuous state of the band -- yikes! -- in the comments to Frank's Chromewaves post today) and Sleeping In The Aviary as well as our show review of the Fields/Blonde Redhead gig Wednesday night.

>> NME reports here that Smashing Pumpkins 3.0 (or is it 4.0? There was someone before Auf Der Mar but after D'Arcy, wasn't there? The '90s all start to blend together after a while) will include bassist Ginger Reyes and guitarist Jeff Schroeder. We don't know either of them by name, but Schroeder plays with Lassie Foundation, who we've heard good things about from our guy at Rhapsody. Anyway, NME cites reports in the Chicago Trib and MTV News while also reporting that nothing is confirmed by anybody. Smashing Pumpkins will release the (attempted comeback) record Zeitgeist July 7. And if it is anywhere near as good as Gish we'll eat one of our many hats.

>> Pantsfork reports here that three Built To Spill records will get reissued on vinyl in limited editions of 2,000. Unfortunately, none of these records is the band's high water mark and sophomore set There's Nothing Wrong With Love. Instead, Built To Spill's major label releases Perfect From Now On, Keep It Like A Secret and You In Reverse get the nod. The trio will be released by Warner Brothers as double LPs. The band will play at Boston's Avalon nightclub, assuming that the club isn't shut down for the renovation and remodeling of the property described in this Boston Globe article.

>> Quick ones: Ride's not reforming; our senior year we had Sun Ra Arkestra and Cub; Qui, the trio newly expanded to include David Yow, actually signed to Ipecac; the Operation Ivy reissue we've mentioned here and here previously is delayed again, this time until an unspecified date in the fall; the forthcoming Photon Band release has also been delayed [scroll down to comments], unfortunately for an indefinite period of time; Last.FM is adding videos to its music and social networking service; a preview of the forthcoming Dinosaur Jr. DVD and clips of J Mascis playing live at VPRO in Holland.